San Jacinto

 

 

8,500 ft. plus above the Palm Springs desert floor the San Jacinto Mountain Range rises. A glass tram take visitors almost straight up beginning a spectacular journey into nature and the splendor of creation. I was able to spend a cool morning romping, climbing and photographing a portion of this spectacular California State Park.

 

 

 

 

People from all over the world and across the country were sharing this miracle of nature. The lighting that morning was just about perfect and the air crisp.

 

 

There were boulders balanced on boulders and fallen trees that appeared to be prehistoric gargantuan beasts. Many of these things seemed as if placed by some gigantic hand or set designer.

 

 

The morning found experienced climbers, novices and families enjoying the snow on the higher peaks. Some of the most amazing views to see anywhere on the planet surrounded we journeymen travelers through time.

 

 

There was a sense of accomplishment in just climb, sitting and looking out at a thing larger and greater than one person could ever be. These sensations accompanied with a feeling of belonging and being part of something tremendous, grand and timeless.

 

 

San Jacinto is exhilarating, inspirational and addictive in the most positive way. These are photographs from my “Excellent Adventure.” They give a hint of the greatness of these moments.

YIN YANG the Gallery 446 Exhibition

 

 

 

 

Palm Springs is a somewhat mythical and unusual place in the Southern California Desert. Marilyn Monroe is said to have been discovered there. Bob Hope’s most interesting and Modern home is there and the lifestyle is luxurious and very “Rich.” This lovely place; this location of numerous resorts; golf courses and satellite of Hollywood is equal to it’s legend and is truly remarkable.  

Palm Springs with no doubt has a lot to offer. I was there for the opening of the “Yin Yang” exhibition at Gallery 446, to visit the unique Palm Springs Art Museum, the surrounding mountains and to meet Shari Belafonte. It was to be an adventure for the ages and a joy to behold.

Palm Springs with no doubt has a lot to offer. I was there for the opening of the “Yin Yang” exhibition at Gallery 446, to visit the unique Palm Springs Art Museum, the surrounding mountains and to meet Shari Belafonte. It was to be an adventure for the ages and a joy to behold.

 

 

 

 I have admired Shari Belafonte’s beauty and achievements for many years. The many magazine covers she has graced, her television work, music and activism are part of her radiant allure. Before this event I wasn’t aware of her skills as a photographer. She’s amazing at that too. Did I mention she rounds it all out with cartoon voice overs? She couldn’t be more amazing. “Master Card…fill my flat,” was for me one of the greatest lines ever delivered. That was Shari too. Meeting Shari was worth a trip and it is really her honesty and grace that shines through in her life and work. Shari’s a winner that gives much.

 

 

 

 

 

Along with Shiri I met many, many other interesting and talented people. The exhibiting artist’s Shaktima Brien, Angela Romeo and Audrey Tommassini were especially welcoming. Audrey’s mother Shelly Mitchell was incredible; beautiful, talented and blessed with an uncommon sensitivity. She is a teacher of method acting and a phenomenal actress in her own right. Some of the others I bumped into were Jim Ciskowski, Denise Hoy (she emailed me photos of the event) and “Bond Girl” Trina Parks. This was special!

 

 

 

 

The Yin Yang Exhibition went beyond frill and fluff. It was a fund raiser as well. The Desert Aids Project and 100 Women would receive all the proceeds from the sales of the art work. They provide services for women and children affected by HIV/AIDS; it is a worthy cause. The curator of Yin Yang Laurie Weitz and gallery director Dimitri Halkidis are to be noted and commended.

 

 

It is really people that make anything worthwhile and doing. All those that I met were wonderful. The residents of Palm Springs and all in attendance were equally virtuous, dedicated and fun to be with. They made the opening of Yin Yang a true pleasure; a tremendous opportunity and contributed to an event to remember, an evening to treasure, a very good time.

 

 

 

 

 

Quvenzhane Wallis: At The Oscars

In an age of miracle and wonder a little princess goes to the ball. When director Ben Zeitlin cast the role of Hushpuppy for his soon to be lauded “Beasts of the Southern Wild” he found a gem in Quvenzhane Wallis. She embodied everything Zeitlin was look for and more. Wallis was strong, intelligent, self-assured, plucky and well…cute. There was more to her though and most importantly she won Zeitlin over with heart, compassion and a sense of what can only be described as honor. Both Wallis and Zeitlin were nominated for “Best” in their categories as well as the film itself was respectfully. No Oscars were awarded but the hearts and minds of many were won for the duration. They have been enlisted as friends and admirers for life.

 

At the Oscars and all the preliminary events, glamour and glitz Wallis was magnificent in the special way only an innocent can be. She was stylish of dress and lovely with her little puppy-purses and shoulder bags. Her interviews were on point and she showed a wit and aplomb that equaled many an older and more accomplished actress. Her best moment was a view of her dancing way past her bedtime (that had been extended for the events) and spinning in a circle until she was dizzy. Oh; the joys of childhood!   

Congratulations Quvenzhane! Congratulations for being there; at the ball, for showing us grace and joy and for filling our hearts.

Dali Drawings

 Sigmund Freud, Alfred Hitchcock and Walt Disney; all varied and names to be associated with Salvador Dali. Dali’s showmanship and his works intrigued enlivened and enriched the lives of his viewers and admirers for decades. He still touches millions even though he is not currently en vogue in anything close to the same manner he was just a few years prior. Dali dazzled and confused with his paintings, films, prints and sculptures. His drawings were equally impressive and mysterious. They are the features of this blog.

The lines of Dali are elegant and masterful. The drawings range from the subtle to the beautifully extravagant. The many dream images, the surreal works he playfully produced in his lifetime are statements to his unusual and marvelous mind. 

He could be both baroque and modern in ways that few were able to equal. Perhaps the fact that he outdistanced his surrealist peers is the reason he was denounced by those fellows. To call Dali a genius is almost redundant but if such a thing exists he is certainly among those elite. It has been said that and there is a thin line between genius and madness.

 

 

Dali walked that line for the entirety of his public life with his wife and muse Gala by his side. We can only guess at the meanings and symbols he conjuring’s provided his public; but that is part of the pleasures of his work. He mastered many forms and illuminated many lives.

 

                   “The only difference between a madman and myself is that I am not insane.”

                                                                                                                             Salvador Dali

the OSCARS

 

Winning the much coveted statuette “Oscar” is no less the pinnacle of success for all that make their lives in, through and around the film industry.  The 85th Annual Academy of Motion Picture Arts and Sciences Awards Ceremony will be held this Sunday night February 24th in their singular glory. Praise, adoration, glamour, riches accomplishment, purpose and joy live within this gold plated embodiment of “the stuff of dreams.”

There are nine nominees for the award of Best Picture. It is to the Academy’s credit that a total of nine candidates were selected in a category that allows for ten. This adds a special legitimacy to the choices. There is no reason to pick a tenth less accomplished piece just to fill a slot and nine are enough. The nominees are strong and varied in every way. Equally while uniquely worthy in fact they are truly all winners. Political intrigue, history, religion, childhood dreams and revolution are among the elements of these excellent works. Emancipation, rescue, revenge, survival and commitment are found along with feast; famine, love, hate and torture all brought to the big screen and this from the one feature “Zero Dark Thirty.” Imagine what the other eight are like with titles including “Beasts of the Southern Wild”, ”Silver Linings Notebook” and “Life of Pi.”  Twenty Twelve was an amazing year for the lovers of film and the nine nominees for best picture are:     

 

 

Amour

Margaret Menegoz, Stefan Arndt, Veit Heiduschka and Michael Katz   Producers

 

 

 

Argo

Grant Heslov, Ben Affleck and George Clooney    Producers

Beasts of the Southern Wild

Dan Janvey, Josh Penn and Michael Gottwald     Producers

Django Unchained

Stacey Sher, Reginald Hudlin and

Pilar Savone    Producers

Les Misérables

Tim Bevan, Eric Fellner, Debra Hayward and Cameron Mackintosh    Producers

 

 

 

Life of Pi

Gil Netter, Ang Lee and

David Womark Producers

 

 

Lincoln

 

Steven Spielberg and  Kathleen Kennedy   Producers

                 
                                                  
                                                                                                                                                     

Silver Linings Playbook

Donna Gigliotti, Bruce Cohen and

Jonathan Gordon   Producers

Zero Dark ThirtyMark Boal, Kathryn Bigelow and Megan Ellison   Producers

Charles White; the Greatest Draftsman

                                                                                                                             

In many ways Charles White is the greatest draftsman the African/American community has produced.  White is a master of grand style. Robust, massive, detailed works that to look upon is to see into the heart of a people that have persevered for generation on faith and an unparalled inner harmony of self, god and nature. His works are intentional pieces; they are testaments to the power of dedication to the higher callings of the artist. They can sometimes be viewed as propaganda pieces but they are of propaganda of necessity and not one of exclusion or a false superiority. White; by reaching into the self and the genetic id of a people has tapped into the universality of the human spirit. In short his works speak to all nations and every human condition.

 

 

The Nineteen Forties through Seventies were White’s productive years and his style evolved and matured as his skill of craft grew. He was married for time to another luminary artist, Elizabeth Catlett. There are individual works by both artists that show a commonality of style and influences.

White was recognized on a global scale throughout his life. He was much lauded and influential as a teacher as well as a professional artist and a friend to the creative men and women of his time. His works of power, beauty and grace virtually shout to the highest of hills of joy and into the deep valleys of despair with the eloquence only the greatest of artists are able to imbue into their works.

The Social Critique and Satire of Daumier

 

                                                 

      

 Honore Daumier has been part of the “Canon” forever; it seems he was possibly born into it, an artist’s artist, his own pinnacle. Daumier was a painter, sculptor and lithographer. Most importantly he was a social satirist of the highest order. The numbers he acquired are staggering; 4,000 lithographs, 1,000 each of drawings and wood engravings, 500 paintings and 100 sculptures. An impressive feat for an artist of any era. Daumier was to be influential for generations. 

 The artist to immediately follow him, especially those to study and work in France including Lautrec, Manet, Degas and the young Picasso show his influence. The works of many American cartoonist and illustrators including Brad Holland, Jules Feiffer, Pat Oliphant, Chuck Jones and Tim Burton are testament to the Daumier wit and style. The Daumier legacy is rich, there wonderful elements to his imaginings and his technique was sound.

 

 

 

 

 

Daumier’s work can be viewed as both High and Low Art. His subjects also were high and low; the bourgeois, the working/poor classes, government leaders, and especially judges and lawyers were targets of his satire. He reported the worlds he inhabited and the art world connoisseurs and critics were not lost to his efforts, they are represented by Daumier with the same virtuosity and vigorous vanity. His lines were graceful, elegant and grand.  

 

 The works are beautiful to behold and equal to the test of time and scrutiny. He was imprisoned briefly for a scathing remorseless depiction of the king titled “Gargantua.” This incarceration failed to soften his social critiques. Daumier would continue to work and spared no one; creating brilliant things throughout his life until his eventual loss of sight.

 

 

 

 Ironically it was a year before his death that he would be recognized for his masterful and original paintings. France has given the world many greats. Daumier…decidedly, dangerously dissident!

 

 

Kathryn Bigelow: Zero Dark Thirty

Sunday afternoon January 20^th I find myself sitting, stunned in a dark movie theatre. The credits roll as the score plays for one of the most powerful films I have seen in many years. There’s a lot to digest here and I haven’t been this shaken and awed by a film since Francis Ford Coppola’s  “Apocalypse Now.” I remain motionless. “Directed by Kathryn Bigelow” flows from the darkness and reveals itself onto the screen then fades away. After a time I have to leave the theatre; this brilliant, unusual production piece, “Zero Dark Thirty.”

Bigelow has created nothing short of a masterpiece. It will be viewed and studied for years to come. It is already being dissected and analyzed. It is also already an intense controversy. This is the stuff that makes legends; makes the world think. Torture is nothing short of the most vile, hideous and least human of acts that human beings perform on each other. There is no connection to the heroic in it’s execution and Americans need to see themselves as heroes. The depiction of the torture of the detainees in a CIA Black Site is so realistic and brutal that I almost left the theatre at one point, to watch it is to somehow comply with it.  I sat through the scenes that went on for at least 20 minutes (an eternity in film time) and it is to the great credit of the film maker that she was able to bring me back into her vision. It was the scene with the monkeys that brought me back.  

“Zero Dark Thirty” is military slang for thirty minutes past midnight (Oh Dark Thirty) or an arbitrary time between midnight and dawn. It is very late night or very early morning depending on your point of view. The film too is very much left to the viewer’s perspective. This is good for events that are so critical to the national psyche and are actual events in the nation’s history. The bringing to justice of Osama Bin Laden was important and it was not pretty. There is no real glorification or “Hollywood” clichés involved. The film opens to a total black screen with archive recordings of the attack of the World Trade Center. Our imaginations and memories are already put to work. It cuts directly to the torture of an “Enemy Combatant” who strangely comes to remind me of Jesus. What follows is without a single moment of detachment for the viewer.

 

 

Bigelow’s vision of the events following Nine Eleven is impressive, provocative and to the credit of all her team of collaorators and crew. Bigelow takes her place now among the great artist/film-makers with this dedicated piece. I can only think that there are greater works still from her to come.

I Always Wanted To Meet Elizabeth Murray

I always wanted to meet Elizabeth Murray. My introduction to her was in the form of a cover photo of “Art News” magazine in the nineteen eighties. Most of the artists of the time posed very seriously in "I Am an Artist" poses. Elizabeth Murray posed smiling while holding her young daughter in her arms. She appeared to be very happy for having the attention and being noticed for her work, her art and her life. Beyond the obvious she seemed a genuinely happy person. Yes; I dreamed for years of meeting this woman and just having a very cool, intelligent and relaxed conversation with her.

 I was able to have conversations with Miss Murray through viewing her work in galleries, articles and video interviews particularly PBS’s Art: 21. These were great but one sided. I wanted a real exchange of ideas with someone so honest and beautiful. I was certain too that she would have great advice, be both funny and charming while still possessing a somewhat vulnerable soul.
 

 

Elizabeth’s works are very enigmatic while still playful pieces. Like shattered stained glass shards, disjointed puzzle pieces or mix-matched cartoon or everyday objects they lovingly present themselves to the viewer. Her use of color is dominate and strong. The works are among the most inviting the art world has to offer. They are engaging, fascinating.

 I remember visiting a contemporary gallery with a couple of friends not long ago. We had enjoyed ourselves greatly and after spending time with Warhol, Calder, Johns and Stella I caught a glimpse of a Murray as we were leaving. There is a point that you have to leave a gallery (the spirit has been enriched and filled to over flow.) I still wasn’t able to leave without studying Murray’s effort. I asked them to wait just a minute for me to say hello to Elizabeth Murray. I walked over to the work and in my way said hello, soaked in a part of Murray’s joy, her spirit. She endowed much of herself into her art. It was a good moment. 

Elizabeth Murray; one of the most respected artist of her generation, left us in 2007. She died from complications of cancer. Her works remain. I always wanted to meet her…