Dali on Religion & Faith as Expressed in Art

Crucifixion (Corpus Hypercubist)

The Basket of Bread

He spent his life as a radical, disruptive, innovative and brilliantly extravagant artist. His life style was equal parts showman and creative genius. Many thought him mad but he was crazy in the best of ways; “like the proverbial fox.” You might think that such a man in death would be quietly at peace…not the surrealist master; Dali! His body was exhumed just this past Thursday (his famous mustache remaining gloriously intact.) It seems a sixty plus year old woman believes she is Dali’s child. She is looking to be compensated; hoping to find a DNA match. The Great Salvador Dali continues to stir up the world, even in death he rises.

Pardon me for changing gears to a point; but my original intention for this blog was to make note of the of the man’s religiosity as expressed in his art, particularly in his paintings. He excelled in his efforts like no other of his generation. There were others including Marc Chagall, Emil Nolde and Stanly Spencer that painted Christian themes among their works, yet Dali achieved a power that remains unmatched. 

The Dream of Christopher Columbus

His painting’s subjects and themes include The Crucifixion of Christ; The Holy Virgin, The Madonna and Child, The Last Supper and even the religious zeal of Christopher Columbus. Dali’s work “Basket of Bread” was considered in his mind to be his most surrealistic endeavor. It spoke to the Eucharistic as expressed in The Holy Communion. Life as journey is allegorically viewed in his painting “Phantom Chariot” the message is akin to John Bunyan’s “Pilgrim’s Progress.”  Again; his crucifixions were literal and technical interpretations of the event of Jesus’ death and subsequent resurrection. These works; as masterful and as great as any from time immemorial.

Phantom Chariot

The Old Testament’s Book of Ecclesiastes 3 talks about the importance of time as it unfolds within the span of our human life and physical existence. It states there is a time and a season for every activity under the heavens:

a time to be born and a time to die,

a time to plant and a time to uproot,

a time to tear down and a time to build,

a time to mourn and a time to dance,

a time to love and a time to hate,

a time for war and a time for peace.

Melting Clock

                                                   

 Dali first addressed the passage of time in one of his highly referenced and signature works “The Persistence of Memory.” Among the most striking elements of the piece is the inclusion of the melting, lilting clocks and watches. These can likely be viewed as an interpretation of the temporal, declining nature of life. When asked about their meaning Dali replied “…the soft watches were inspired by the surrealist perception of a Camembert (cheese) melting in the sun. Life is as much as anything a series and process of gradual and eventual decay and finality. Dali would return to images of “melting clocks” on numerous occasions as surreal expressions along with other multiple symbolic imagery. 

Christ of St. John of the Cross

Salvador Dali continues to amaze and inform as we discover freshness to his life and works. We await his latest verdict as we applaud his grand visionary performances. The Magnificent Dali; the Eternal Dali, the Servant Dali.  

                                                

Salvador Dali Quotes

“Have no fear of perfection - you'll never reach it.” 

“A true artist is not one who is inspired, but one who inspires others.” 

“Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.” 

“Every morning when I wake up, I experience an exquisite joy —the joy of being Salvador Dalí— and I ask myself in rapture: What wonderful things is this Salvador Dalí going to accomplish today?” 

Albrecht Dürer The Remarkably Mystic

His status and skills are mythic in stature among the greatest of artists. The legend of Albrect Durer hails from a time when attention to detail was expected and admired. Durer saw like few did and even fewer see now.  The results from the steady and marvelously sure hand of the man; Durer, enraptures and amazes in the best of ways. Durer hailed from a time when alchemy was a universal force. He surely must have known something of the arcane arts. No other explanation could suffice for his achievements. His works spell-bind, mesmerize and shockingly mystify

                                          .    

And since geometry is the right foundation of all painting, I have decided to teach its rudiments and principles to all youngsters eager for art.            

                                                                                        Albrecht Durer

In the nineteen sixties Durer’s “Praying Hands” were reproduced many times over. Plates, prints and plaques prominently adorned many walls and shelves in many homes. Reproductions were casted in bronze, carved in wood, printed on paper and fashioned in clay. The work was loved and well known but few knew the original artist's name. “The Praying Hands” were inspirational for the faithful and a popular standard of grace and elegance.    

The artist is chosen by God to fulfill his commands and must never be overwhelmed by public opinion.

                                                                                        Albrecht Durer

Durer was proficient as draftsman, engraver, painter and print maker. His works were imaginative and challenging; as well as spiritual. There is a gravitas to the work that rivals every era and nation in it's creation. Durer looked at the universe and marveled. He looked at every aspect of his/our world and was in awe. His goal was to capture in image as many things as any human could while honoring his God given talents. His eye was attuned to all; from the magnificence of the Heavens to a simple tuff of grass. The truth and beauty of Durer; captured in his work, lives vividly for all time.   

What beauty is, I know not, though it adheres to many things.

                                                                                         

                                                                                         Albrecht Durer

Charles White; the Greatest Draftsman

                                                                                                                             

In many ways Charles White is the greatest draftsman the African/American community has produced.  White is a master of grand style. Robust, massive, detailed works that to look upon is to see into the heart of a people that have persevered for generation on faith and an unparalled inner harmony of self, god and nature. His works are intentional pieces; they are testaments to the power of dedication to the higher callings of the artist. They can sometimes be viewed as propaganda pieces but they are of propaganda of necessity and not one of exclusion or a false superiority. White; by reaching into the self and the genetic id of a people has tapped into the universality of the human spirit. In short his works speak to all nations and every human condition.

 

 

The Nineteen Forties through Seventies were White’s productive years and his style evolved and matured as his skill of craft grew. He was married for time to another luminary artist, Elizabeth Catlett. There are individual works by both artists that show a commonality of style and influences.

White was recognized on a global scale throughout his life. He was much lauded and influential as a teacher as well as a professional artist and a friend to the creative men and women of his time. His works of power, beauty and grace virtually shout to the highest of hills of joy and into the deep valleys of despair with the eloquence only the greatest of artists are able to imbue into their works.