Selected Works by Helen Frankenthaler GAGOSIAN

 “My pictures are full of climates, abstract climates, and not nature per se. But a feeling of an order that is associated more with nature; nature in seasons. And I think art itself is order out of chaos.”

                                                                    Helen Frankenthaler

HELEN FRANKENTHALER

Drawing within Nature: Paintings from the 1990s

March 9–April 22, 2023

541 West 24th Street, New York

Basquiat-isms

I have never known an artist that didn’t have something to say. At the very core of it all it’s communication that is the thing. The form can be dance, sculpture, music, or quilting…on and on. There is something of a story, a narrative, and some explanation, a dissection of every element of any and every work. The graffiti artist is among the greatest exponents of this idea and it is essential to the form. “Look at me through my work, I have a message, I have a story, I am here and I matter.” 

Jean-Michel Basquiat spoke cryptically and expressively first on walls and shortly following on canvases. He was somewhat shy but he expressed himself eloquently and poignantly in his spoken words. His thoughts and commentaries are now collected in book form “Basquiat-isms” edited by Larry Warsh. It is certainly of interest to his admirers across the globe. It is an excellent collection of the voicings he imparted within his short but all so vastly incredible life.  

In his brief twenty-seven year life Basquiat went from poverty and complete obscurity with such a meteoric progression that it could easily be referenced to as “over-night success.” It was really by no means so, as it unfolded in reality, referenced as so easily a thing as it might appear. It was however methodically planned, executed and created by his sheer will, determination and profuse understanding of the then (nineteen-eighties) New York art scene. It was no done without a measure of difficulty. Basquiat went from graffiti bomber (SAMO) to gallery representation to collected and sought out phenomenon, to now canonization. The book “Basquiat-isms” is a representation of this. It can inform, entertain, amuse and on occasion baffle you. I have sampled it here. Do enjoy and hopefully choose to seek it out for it’s entirety.

Quotes & Illustrations

"I like to have information rather than just a brushstroke. Just to have words to put in feelings." 

                                                                                             Jean-Michel Basquiat

 

“I don’t think about art when I work. I think about life.”

                                                                                                             Jean-Michel Basquiat

                                                                                                 

"Magic doesn’t especially Interest me. I like the intuition that tells me a work is finished." 

                                                                                                              Jean-Michel Basquiat

I was trying to communicate an idea. I was trying to paint an urban landscape. I was trying to make paintings different from painting that I saw which were mostly minimal that were highbrow and alienating.

                                                                                                         Jean-Michel Basquiat

"I usually put a lot down and then I take a lot away, then I put more down and take even more away, so it’s like a constant editing process."

                                                                                                         Jean-Michel Basquiat

"I like words that jump off the page when I see them."

                                                                                                         Jean-Michel Basquiat  

  

                              "I am what I am, what I am, what I am."

                                                                          Jean-Michel Basquiat

"It’s pretty primal; whatever I feel at the moment…sometimes it’s political sometimes not, I don’t know."

                                                                                                         Jean-Michel Basquiat

                                                                                                

"I think there are a lot of people that are neglected in art...I don’t know if it’s because of who made the paintings or what; but…Black people are never really portrayed realistically or I mean not even portrayed in modern art"

                                                                                             Jean-Michel Basquiat

"The more I paint the more I like everything."

                                                                                       Jean-Michel Basquiat

"Since I was 17, I thought I might be a star."

                                                                     Jean-Michel Basquiat

"I cross out words so you will see them more; the fact that they are obscured makes you want to read them."

                                                                          Jean-Michel Basquiat

 

"I think I make art for myself, but ultimately I think I make it for the world."

                                                                                   Jean-Michel Basquiat

"I don't like to discuss art at all"

                                                                                Jean-Michel Basquiat

  - Other artist in this series include:  Ai Weiwei, Damien Hirst, Andy Warhol, Yoko Ono, Keith Haring  and Futura -  

The Hirshhorn INSIDE & OUT

RODIN

I spent a couple of morning hours at the “Hirshhorn” a few Sundays ago. The “Museum and Sculptor Garden” located on Independence Ave. in Washington DC is in many ways my favorite place to view great art in it's diversive forms and incarnations. It was the museum’s extensive collection of sculpture that became my main focus of attention on that particular June Sunday. Castings from the great Rodin to moderns like Zúñiga and Moore are featured in their regal grandeur and authority. Kusama, Calder, Cave and Mueck  are also on view for study, enjoyment and Zen reflection…whatever way you choose to relate with these masters is available for locals and world travelers.

RODIN

RODIN

RODIN

I have casually run into many great contemporary artists of the day and others at this Washington, DC site. Julian Schnabel, John Currin and his spouse; sculptor Rachel Feinstein. Historian and lecturer Simon Schama is another art world luminary I’ve had the pleasure of meeting at one of his Hirshhorn seminars. The Hirshhorn is a fabulous place and always new serving as both contemporary collectors of new pieces while possessing a unique and expansive permanent collection that is displayed in rotation. The Hirshhorn is always fresh and exciting.

Zúñiga

Zúñiga

                               

Moore

There is ever a sense of discovery associated with walking around the sculpture garden that surrounds the physical building and extends to a lower level across Madison Dr. This can be both relaxing and comforting for the soul and spirit. Walk ways that lead to hidden treasures are many and you must be sure to explore them all.

The Hirshhorn opened in early 1974. I was actually one of the first visitors to this “museum in the round.”  It was even still under partial construction at the time. It has grown into a world class destination and is remarkable in it’s reach and depth of character and understanding with a distinct and unique perspective of the purpose of art. Currently artist Mark Bradford has the first continuous single artistic creation that encircles the entirety of the third floor’s interior walk way.  The outer walls became a 360’ projection surface in 2012 for artist Doug Aitken's "SONG 1” that was especially memorable for my personal mid-night viewing and experiencing  that "shock of the new.”

Enrico David

Enrico David

Enrico David

So much to see; so much to review, that I’m just including a sampling of what I saw during my morning visit. I’ve selected and presented here some historic, some new and all spectacular. I’m hoping that this is enough to wet any appetite for more and a visit of your own. Of special interest and featured as illustrations are the works of Enrico David (above.) This was my first exposure to his art and it had a tendency to jump out perhaps for that very reason. For those who haven’t already visited themselves; please for all purposes do visit the Hirshhorn when you can and I would love to compare notes with you on it’s many exhilarating wonders. 

POMODORO

SCHNABEL

               

Mark Bradford

SONG 1

The "Zootopian Art" of Walton Ford

King Kong: Skull Island, Disney’s The Jungle book and Zootopia are all recent movie releases that I’m certain Walton Ford loves. Ford the accomplished contemporary artist; has a MFA in filmmaking and creates works as a fine artist that feature and reflect the creatures of nature and the natural world as his primary subjects. There is no possibility that he could not have loved these fore-mentioned films each possessing an uncanny resemblance and affinity of a definitive purpose and respect of commonality. Ford’s art could have been the basis of each films pre-production design and story-boards. Ford’s extraordinary depth and rang is unpatralled in his times for their achievement in the advancement of a form that has been largely ignored for decades. His lush, detailed, richly colored, exuberant pieces adorn many museums around the country and homes of the uber-rich.  

At first look Ford is a naturalist artist in the grand tradition of the likes of John J Audubon. He has painstakingly studied; primarily at the Rhode Island School of Design, New York’s Museum of Natural History and most importantly from “Mother Nature” herself. He parts from the traditionalist in his treatments of his subjects and places them often in very unnatural situations. He adorns his pieces with unusual texts; sometimes written in Latin that many times over are comedic, ironic and timely. 

The scale of Walton Ford’s art is also worthy of note. I have been fortunate enough to have seen his water-color representation of an Aurochs Bull on several occasions at Washington, DC’s American Art Museum. The dimensions of the work are 95” x 132.” It is divided into three sections and having first seen the work scaled down in the pages of “Art in America” magazine it remains a shockingly interesting as well as astonishingly beautiful experience to see this much larger than life master piece!

Ford remains ever and increasingly engaged in his work. He has recently done portraits of Kong, a commissioned Rolling Stones’ album cover and now depicts human beings in his paintings (usually as background embellishments.) Walton Ford thrives in his own “Zootopian World” as we benefit from his skill, devotion and Herculean extravagance of forms.