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Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Wednesday, November 16, 2022

Kevin Conroy: BATMAN Forever


                                                                                                                                                              



 From the very first words you spoke; we knew you were Batman. It was the sound, the tone, the heart of the character; we hadn’t realized it but we had heard the voice collectively in our minds forever. We celebrate your life, your many accomplishments, we mourn your passing.




Kevin explains the importance of Batman to the multi-generational fans of the character.




Sunday, May 29, 2022

NEAL ADAMS...The Best There Ever Was...The Best There Will Ever Be.


From Archie to the Avengers, from Ben Casey to “The Brave & The Bold. ”He was to say; The Natural. The Best there ever was…The Best there will ever be.”

Neal Adams  1941 - 2022



He was a creative force of tireless energy. That along with his mastery of drawing and artistic innovation would cement his place in the history of the American Comic Book as a true genius. The dialogue of what the form described and known by various names including comic book / graphic novelization / sequential story-telling is (while in fact dating back to the dawn of humankind and civilization) has been altered from Adam's time forward into the future by his countless contributions and collaborations (chiefly with writer Denny O’Neil.) 




Neal Adams was actually much more than a prominent  voice of the social and racial injustices, changes  and turmoil of the Nineteen 60’s and 70’s within his chosen field; in his eminent way he was too a real life advocated for contemporary creator’s rights, a lobbyist and a bare knuckles fighter of sorts for the community of human kind. This was evident in along with a number of his creations and his reaching out along with Harland Ellison, Gary Trudeau and others over his lifetime to congress and world organizations and institutions. He fought for the teenagers that birthed “Superman,” Jerry Siegel and Joe Shuster, for the compensation and recognition they had been denied yet so richly deserved for decades.
 He won. 




Holocaust survivor, Dina Babbitt would become the beneficiary of Adam’s fight for the return of her artwork that she used in bartering for the life and survival of her mother and herself during the Nazi reign of terror. The Auschwitz-Birkenau State Museum in Poland has recently returned said works to Ms. Babbitt. These are only a small portion of the Adam’s body of resolutions and the righting of selected cultural and historic failings.


                                           More on Neal Adams @ Why Not: A Blog                                          

            
                                 







Sadly; Neal Adams passed on April 28th from complications of Sepsis, a type of blood poisoning. Adams was a man as legendary as the characters he created, developed and voiced within his visual stories. He was one with no legitimate rivals while possessing legions of admirers, supporters and friends.  



Vintage News Footage
Neal, Denny O'Neil & Julie Schwartz 
  


"How to be Great as an Artist"
Neal Adams
     

Adams Sketches 
Deadman
from
"STRANGE ADVENTURES"
        

Adams 1987 Interview
Harlan Ellison Intro.

Sunday, February 3, 2019

"BUSTER SCRUGGS" the Ballad of...




















Like the dedicated and creative; cultured and persistent prospectors they are; the Coen Brothers have struck cinematic gold again. Their western anthology film “The Ballad of Buster Scruggs” is amazingly, aggressively and adventurously awesome. You may have heard about it, are curious about or have already seen it. If you are among the “have-not-seens”   category do by all means see it. You will be thrilled, moved, outraged, perplexed and wonderfully entertained.


The brothers; Ethan and Joel are famous for completely upsetting just about every film trope and norm with their unusual take on life and movie traditions. They have essentially created their own film language layered with a gusto and panisch that is seldom equaled. Maybe the likes of Quentin Turrintino, Jack Jarmush or Spike Lee are in the Coen’s league but it is a small club. Their’s is in reality a very small club. 

“The Ballad of Buster Scruggs” is an anthology film featuring six segments. The segments are only connected by the fact that that are all of the western genre. These short narratives vary in length and tone. Written over a period of twenty five years they stand alone in nature with no connecting thread. What the brothers have done with the first segment while introducing the character of Buster Scruggs begins with a most unique concept. Where Movie and TV Westerns have always reflected the tastes, morality and spirit of their times or decade of creation things are mixed up with “Buster Scruggs.”  A singing cowboy in the tone of a Gene Autry or Roy Rogers finds himself in a world where every other character is like the inhabitants of a Sergio Leone “Spaghetti Western.” What follows is pure delightful insanity, comedy and ridiculous drama as the segment twists turns and unfolds in totally unexpected ways.  Little here is close to what might originally be expected. 








Another standout segment features a story-teller of a talent that is to marvel in any venue or time. He is polished, intelligent, dignified and charismatic. He is also armless and legless. An unscrupulous and grungy oaf of a man played by an almost unrecnozible Liam Neeson is carting the vocal performer around frontier towns for audiences that are as enthralled as they are dwindling. Recitations by Shakespeare, Lincoln and the likes of Oscar Wilde are among the performer’s repertoire. The two are completely dependent on each other’s abilities. Where does such an uncommonly matched couple come from and where can they go with such an arrangement.



All of the segments to a degree center on death or at least to death’s fruition. The irony, the finality and the inevitability of it all are told in a multitude of fashions including: shoot outs, suicides, murders, ambushes, lynching’s and the resolve of it all by “The Harvesters of Souls.” 


















Another interesting element brilliantly and lovingly incorporated into the visuals is a physical story book. The hardcover book appears to be a well-worn published edition of the book “The Ballad of Buster Scruggs” that alludes to what might have been their original printed format. It is an effective and cunning device. Each segment begins with a lush illustration from the books pages and an interesting title that hints at the given narrative without giving away any real knowledge to the following story. I take this as a nod to another formidable but less controversial film maker of old; Walt Disney and his early films. 



There is much here to treasure and enjoy. They are the always inventive Brothers Coen…Ethan and Joel…the Best of the Best.  


 

                                                 

"The Ballad of Buster Scruggs" 
 Press Conference with Joel & Ethan Coen







Wednesday, November 1, 2017

Sir Alfred's Notorious Notations



It all began with one word; one simple word spoken softly to her baby boy; Alfred: BOO. Putting this into a certain perspective it makes perfect sense. The young startled child becomes the unchallenged “Master of Suspense” and the architect of many scares and thrills tempered with an arcane joy and sly humor. If you had only known; Mother Hitchcock; if you had only known.

The films; the films, the films…were Alfred Hitchcock’s greatest achievements. Many of his offerings being among the best ever…all worth seeing. This cinematic maestro directed and produced wonderfully entertaing and textbook examples of excellence. Dial “M” for Murder, Psycho, North by North West, Rear Window, Rebecca and on and on. His work dates back to the “Silent Era” and well into “The Talkies” "Vistavision" and "Technicolor." His influence is immeasurable and continues to this present day. His editing and visual story-telling skills are original and at best imitated and adapted by the many.  To a degree every director to follow him that includes any suspense or mystery pays tribute to Sir Alfred.


As edited into individual scenes many stand out as extravagant and compelling unto themselves. Including a few examples; the crop-dusting plane’s pursuit of Cary Grant in North by North West, the carnival carousel run amok  in Strangers on a Train and possible his “Hallmark” achievement the much admired and studied shower scene starring Janet Leigh in Psycho.


Growing up my generation had the pleasure of watching the original airings of the T.V. series “Alfred Hitchcock Presents” episodes were written by great story-tellers including the likes of Roald Dahl and Ray Bradbury. A high light of the show was Hitchcock walking his silhouette into his own line drawing caricature. This to the tune of Charles Gounod’s “Funeral March of a Marionette.” He had a brief interesting; abundantly clever intro and closing tailored for each broadcast that were often the best part of the black and white television shorts. After seven television seasons and eighty two feature film Hitchcock is truly the bench mark.     



























Classic Promo for "The Birds"

Returning briefly to Alfred’s formative years; he was indeed blessed with two loving parents and I dare not leave out his father. He had his own unique contributions and places within the director’s psyche. Alfred Hitchcock related this story on occasion that goes something like this:  In response to some “minor” indiscretion young Alfred’s father hands him a folded note and instructed him to take it to the police station a few blocks from his home. Five year old Alfred dutifully walks to the station, enters and hands the desk officer the note. 


                                                                         
                                                                   
  The officer reads the note, shows no discernable emotional, pauses and then,  without words or ceremony takes Alfred into the back to an empty cell, places the child inside and closes the door with the finality and resonate cold, clanging thud that only an iron bared door can make. This followed with the disheartening turning of the key and the walking away of the officer again emotionless and wordless. After a brief period the officer returns to release Alfred sending him on his way, forever changed, forever fearful and full of an imaginative respect of the possibabality of future incarceration.                                                      


“The Birds” was the first Hitchcock film I was prividgled to see and it was showing at the local theater. The nation was talking about this amazing film so my friends and I had great anticipation as we walked to the theatre. This was the most recent “Hitchcock” release, the year was 1963. I was 10…just slightly younger than one of the film’s stars; Veronica Cartwright. This gave us a unique window into the happenings onscreen. We all were delightfully and sufficiently scared, thrilled, baffled and compelled to see it at least four more times during this initial release. They say the first love is the greatest and The Birds remains among my favored film treasures and memories.










Hitchcock Quotes

Man does not live by murder alone. He needs affection, approval, encouragement and, occasionally, a hearty meal.

Always make the audience suffer as much as possible

There is no terror in the bang, only in the anticipation of it.

The length of a film should be directly related to the endurance of the human bladder.

Film your murders like love scenes, and film your love scenes like murders.

Mystery is an intellectual process... But suspense is essentially an emotional process.

Give them pleasure - the same pleasure they have when they wake up from a nightmare.

The silent pictures were the purest form of cinema

Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf. This fright complex is rooted in every individual.


I have a feeling that inside you; somewhere, there's somebody nobody knows about, feelings, nobody knows


Friday, January 1, 2016

The Drawings of Ray Harryhausen




  “Episode Seven: The Force Awakens” of the Star Wars series has opened to stellar acclaim and mass appeal. The last trilogy of Star Wars films were built largely on special effects, almost exclusively CGI. JJ Abrams the director/producer of this most recent effort decided (in a stroke of brilliance) to return to the original trilogy’s more authentic look of location shots, sound stage and stop motion  style of animation employed in the much beloved original trilogy. The undisputed champion of the stop motion technique was the great auteur Ray Harryhausen. Harryhausen’s work influenced all of the contemporary giants of fantasy and sci-fi film makers. George Lucas, Steven Spielberg, Peter Jackson and Guillmero Del Toro all list Ray Harryhausen among their biggest if not the biggest influence on their approach to special effects and fantastic film making. Harryhausen being a master and artist supreme across genres.


The films of Ray Harryhausen include Earth vs the Flying Saucers, The Beast from 20,000 Fathoms and the unparalled telling of the Greek myth Jason and the Argonauts. Every one of these films are marvels, viewed and treasured to this day with a worldwide and respected fandom. Harryhausen’s motion art is phenomenal and his drawings and studies are phenomenal as well.


The drawings; though less known of Ray Harryhausen’s  achievements, are painstaking  gems much in line with nineteenth century text book illustration. His dinosaurs, heroes, fantastic creatures and damsels ring true and make the man’s talent apparent as a supreme artist.  His works are without color and give the illusion of fine art printmaking, harkening to an earlier era where color was more of a rarity. The look of the Harryhausen drawings add to their mysticism and their feel is for a time preceding even his own.


Ray Harryhausen films will stand as long as there are those that appreciate motion pictures, mythology, story-telling and art. The same should be true for his drawings.  His creatures that date back in time immemorial will live equally far into the future. They enliven both our hearts and our imaginations.


Saturday, October 25, 2014

The Frankenstein Monster


The Frankenstein monster
The lifeless; the dead
Seemed utterly harmless
with probes in his head
 A little of lightning
a bolt and a shock
 delivered the message
it’s time to wake up

The roar of the thunder
the crack of the shock
 he listened and heard them
just like a knock, knock

There’s  business for you
both scary and Grimm
a village to greet you
get going again.

He hurried; he worried
His efforts in vain
He grunted and growled
His brain was insane



He couldn’t remember the joy of a LIFE
The next thing he wanted you know was a wife
So quickly constructed
with bride and with friend
again starting over
his dreams to begin
but they too were shattered
when Bride say his face
this creature of science
could not find his place
He wished to belong
just one in the crowd
he ranted and raved
he shouted out loud
there’s no witches brew
or splendid, warm places
 His bride left him too
her beauty not wasted

The monster moved on
without kit or kin
he’s walking the Earth
resistant to sin
Avoiding each village
each hamlet and den
just can’t get connected
there’s never a  friend
You may see him soon
he’ll visit your town
Just some “thing” much scary
he rambles around

The ocean, the river, the light of the moon

Remarkable, distant, magnanimous goon