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Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts

Wednesday, September 4, 2019

Picasso WORDS



The 20th Century produced an infinite number of great and innovative artists and minds. The movements, styles and schools go on endlessly. Dada, minimalism, abstract expressionism, pop and cubism are but a few idioms from the last hundred years or so. Picasso was at the forefront of many and the proponent of many more. He worked as a painter, ceramicist, sculptor, print maker and theatrical designer. With works numbering in the thousands he was considered by most experts to be number one in vast fields of practitioners.

The mind and talents of the man represent something unparalled in scope. It is only fitting that his words would be equally as impressive, witty and poignant as any of his other creations. His attributed quotes are as entertaining and richly original as would be expected of a man possessed of such genius. 

Picasso’s spoke on every subject. Among his particulars were of course art, creativity, imagination, the meaning and purpose of living and many other essentials of the genius mind as well as the everyday. By most accounts Picasso was no writer (imagine that) his quotes came largely from the conversations held with his friends and lovers; also members of the media and other inquisitive types were exposed to Picasso’s insights. His thoughts and opinions were self-expressions that propelled the artist and man through life. One of Picasso’s most interesting quotes summed up his passion, purpose and spirit of living. He was noted to have said; perhaps in jest; “Mass in the morning, Bull Fight in the afternoon and Brothel at night.” He was famous for his attentions and devotion to all three. He also said this small thing that summed up his prenominal work ethic; “I often paint two or three paintings in a single day. Afterwards; I will often paint another to relax.”    

Take a little time now and immerse yourself in the view points, wisdom and words of Picasso. And what would any text on Picasso be without the embellishment of his provocative, timeless, uniquely original and immaculate images?



Picasso QUOTES

“People don’t realize what they have when they own a picture by me. Each picture is a phial of my blood. That is what has gone into it.”
                                                                                                                           Picasso
                                                                                                                                  


“When I paint my object is to show what I have found and not what I am looking for. What one does is what counts and not what one had intended of doing.”
                                                                                                                               Picasso      
                                                                                                                           






























“Painters should have their eyes put out like goldfinches to make them sing better.”
                                                                                                                            Picasso






“When there’s anything to steal.
                 I steal.”

               





“Anything of great value-creation, a new idea-carries its shadow zone with it. You have to accept it that way. Otherwise there is only the stagnation of inaction. Every positive value has its price in negative terms and you never see anything very great which is not, at the same time, horrible in some respect. The genius of Einstein led to Hiroshima.”  
                                                                           Picasso





 “You mustn’t always believe what I say. Questions tempt you to tell lies, particularly when there is no answer.”









                                                               

         



“No, painting is not done to decorate apartments. It is an instrument of war.”

The Power of Art
The Power of Art






Friday, July 5, 2019

The Hirshhorn INSIDE & OUT

RODIN
I spent a couple of morning hours at the “Hirshhorn” a few Sundays ago. The “Museum and Sculptor Garden” located on Independence Ave. in Washington DC is in many ways my favorite place to view great art in it's diversive forms and incarnations. It was the museum’s extensive collection of sculpture that became my main focus of attention on that particular June Sunday. Castings from the great Rodin to moderns like Zúñiga and Moore are featured in their regal grandeur and authority. Kusama, Calder, Cave and Mueck  are also on view for study, enjoyment and Zen reflection…whatever way you choose to relate with these masters is available for locals and world travelers.

RODIN


RODIN
RODIN

I have casually run into many great contemporary artists of the day and others at this Washington, DC site. Julian Schnabel, John Currin and his spouse; sculptor Rachel Feinstein. Historian and lecturer Simon Schama is another art world luminary I’ve had the pleasure of meeting at one of his Hirshhorn seminars. The Hirshhorn is a fabulous place and always new serving as both contemporary collectors of new pieces while possessing a unique and expansive permanent collection that is displayed in rotation. The Hirshhorn is always fresh and exciting.

Zúñiga



Zúñiga


Moore


There is ever a sense of discovery associated with walking around the sculpture garden that surrounds the physical building and extends to a lower level across Madison Dr. This can be both relaxing and comforting for the soul and spirit. Walk ways that lead to hidden treasures are many and you must be sure to explore them all.


The Hirshhorn opened in early 1974. I was actually one of the first visitors to this “museum in the round.”  It was even still under partial construction at the time. It has grown into a world class destination and is remarkable in it’s reach and depth of character and understanding with a distinct and unique perspective of the purpose of art. Currently artist Mark Bradford has the first continuous single artistic creation that encircles the entirety of the third floor’s interior walk way.  The outer walls became a 360’ projection surface in 2012 for artist Doug Aitken's "SONG 1” that was especially memorable for my personal mid-night viewing and experiencing  that "shock of the new.”

Enrico David



Enrico David




Enrico David

So much to see; so much to review, that I’m just including a sampling of what I saw during my morning visit. I’ve selected and presented here some historic, some new and all spectacular. I’m hoping that this is enough to wet any appetite for more and a visit of your own. Of special interest and featured as illustrations are the works of Enrico David (above.) This was my first exposure to his art and it had a tendency to jump out perhaps for that very reason. For those who haven’t already visited themselves; please for all purposes do visit the Hirshhorn when you can and I would love to compare notes with you on it’s many exhilarating wonders. 

POMODORO
SCHNABEL


               

Mark Bradford

SONG 1


Sunday, February 17, 2019

Yayoi Kusama; Infinity Rooms, Polka Dots and One Incredible Night




Part I

It was a dark and stormy night…in February; in Atlanta. Just outside the High Museum we waited; waited for tickets. This was a night and darkness that seemed would never end. The waiting that started for myself and a number of others began around midnight Thursday Feb. 7th. This would continue into daylight Friday morning (the 8th) around nine thirty. 







In the course of the night we would face wind, rain, cold, the dark and no available toilets. We would have to be resourceful on all accounts. There were people in tents, sleeping bags, blankets, coats and hoodies. I was arrayed in a sweater, scarf and blanket with snacks, books and an MP3 player. There have of course been worse conditions but really; for tickets to an art exhibit it was unusual. For the record; I had waited outside the Metropolitan in New York with two of my grandkids just the year before in below zero wind chills to see Michelangelo. These temperatures we faced now were at least above freezing; a little.



About the time conditions seemed at their worst; it was almost as if the darkness would not end. One of my fellow, brave and generous art lovers appeared in front of me offering coffee. She was a Heaven send. Her name was Veronica and we would eventually buy scalped tickets for a reasonable eighty dollars each. 




Part II

The exhibit we were dedicated to seeing was Yayoi Kusama’s Infinity Rooms. This phenomenal exhibit had started at the Hirshhorn in Washington DC and played in several major cities around the country and in Canada. 



Yayoi Kusama is one of the most fascinating and creative artist’s working today. Her career began in a major way when the Japanese born artist came to America and became a part of the 60's Pop/Happening Scene. Polka Dots are something of a main stay for her as she covers everything from sculptures to film, fashion and paintings with different expanding and ever changing dot patterns.  She befriended and in many ways competed with the greats of the period like Larry Rivers and Andy Warhol for publicity and space. Her zeal and exuberant work ethic led her to a nervous breakdown. She to this day lives in a mental institution where she checks herself out and in daily to work in her nearby studio.


The Infinity Mirror Rooms are among her greatest intellectual and artistic gifts to the world. They are marvels that the viewer is limited to seeing in 30 seconds intervals. Like the finest gourmet servings a small bit is savored with a much larger delight and relish than an unlimited, gratuitous buffet.  




Kusama’s work has been meaningful for viewers from around the nation and the world that came like myself to Atlanta for a life time’s opportunity. I was able to meet enthusiastic visitors from New Orleans, to Pittsburg to Paris at “The High.”  I had traveled from the tip of South Western Virginia, across the Carolinas and into Georgia myself. It was worth every bit of what it took for me to behold the mastery and spectacular vision of Yayoi Kusama. 



A Video Report from The News Hour



Hey Veronica;
It was fabulous meeting you at the Kusama Exhibition in Atlanta. As you said while waiting overnight for tickets; “...this is (was) a Great Adventure!”  I arrived late that afternoon and we didn’t have a chance to touch base. If you’re reading this: thanks again for “the Best and Warmest Cup of Coffee” I’m likely to ever have. I hope someday, to be able to return the favor and meet for a coffee and a doughnut.

All the Best;
James
jartistt@yahoo.com



Saturday, February 2, 2019

HEROES

Our’s is a world of heroes and villains. We see both every day in in our personal lives and on the world stage. It is without question that we emulate the heroes; we long to be heroic in whatever way we can.  The markings of a hero is one that often and repeatedly does the exceptional. Heroes exhibit certain greatness and are many times lauded but often they show a quiet, restrained resilience that remains unrecognized by most. You know them and I’m certain you have many of your own.
 I have always been drawn to and recognize many in literature, myth, legend and in real life. Samson and Superman; Kennedy and King, just to name a very few. This page features some of those men and women of the arts of whom I love them all. They are hardly stand alone but I recognize them here.














Ai Wei Wei











         Jean Michel-Basquiat
            




















Frida Kahlo




















                             Gordon Parks




















Kiki Smith




















   Louise Bourgeois         
                       




















Miles Davis




















                            Misty Copeland




















Georgia O'keefe











                                           

                                          
                                       
                                      Salvador Dali