Basquiat-isms

I have never known an artist that didn’t have something to say. At the very core of it all it’s communication that is the thing. The form can be dance, sculpture, music, or quilting…on and on. There is something of a story, a narrative, and some explanation, a dissection of every element of any and every work. The graffiti artist is among the greatest exponents of this idea and it is essential to the form. “Look at me through my work, I have a message, I have a story, I am here and I matter.” 

Jean-Michel Basquiat spoke cryptically and expressively first on walls and shortly following on canvases. He was somewhat shy but he expressed himself eloquently and poignantly in his spoken words. His thoughts and commentaries are now collected in book form “Basquiat-isms” edited by Larry Warsh. It is certainly of interest to his admirers across the globe. It is an excellent collection of the voicings he imparted within his short but all so vastly incredible life.  

In his brief twenty-seven year life Basquiat went from poverty and complete obscurity with such a meteoric progression that it could easily be referenced to as “over-night success.” It was really by no means so, as it unfolded in reality, referenced as so easily a thing as it might appear. It was however methodically planned, executed and created by his sheer will, determination and profuse understanding of the then (nineteen-eighties) New York art scene. It was no done without a measure of difficulty. Basquiat went from graffiti bomber (SAMO) to gallery representation to collected and sought out phenomenon, to now canonization. The book “Basquiat-isms” is a representation of this. It can inform, entertain, amuse and on occasion baffle you. I have sampled it here. Do enjoy and hopefully choose to seek it out for it’s entirety.

Quotes & Illustrations

"I like to have information rather than just a brushstroke. Just to have words to put in feelings." 

                                                                                             Jean-Michel Basquiat

 

“I don’t think about art when I work. I think about life.”

                                                                                                             Jean-Michel Basquiat

                                                                                                 

"Magic doesn’t especially Interest me. I like the intuition that tells me a work is finished." 

                                                                                                              Jean-Michel Basquiat

I was trying to communicate an idea. I was trying to paint an urban landscape. I was trying to make paintings different from painting that I saw which were mostly minimal that were highbrow and alienating.

                                                                                                         Jean-Michel Basquiat

"I usually put a lot down and then I take a lot away, then I put more down and take even more away, so it’s like a constant editing process."

                                                                                                         Jean-Michel Basquiat

"I like words that jump off the page when I see them."

                                                                                                         Jean-Michel Basquiat  

  

                              "I am what I am, what I am, what I am."

                                                                          Jean-Michel Basquiat

"It’s pretty primal; whatever I feel at the moment…sometimes it’s political sometimes not, I don’t know."

                                                                                                         Jean-Michel Basquiat

                                                                                                

"I think there are a lot of people that are neglected in art...I don’t know if it’s because of who made the paintings or what; but…Black people are never really portrayed realistically or I mean not even portrayed in modern art"

                                                                                             Jean-Michel Basquiat

"The more I paint the more I like everything."

                                                                                       Jean-Michel Basquiat

"Since I was 17, I thought I might be a star."

                                                                     Jean-Michel Basquiat

"I cross out words so you will see them more; the fact that they are obscured makes you want to read them."

                                                                          Jean-Michel Basquiat

 

"I think I make art for myself, but ultimately I think I make it for the world."

                                                                                   Jean-Michel Basquiat

"I don't like to discuss art at all"

                                                                                Jean-Michel Basquiat

  - Other artist in this series include:  Ai Weiwei, Damien Hirst, Andy Warhol, Yoko Ono, Keith Haring  and Futura -  

Ron English "POPaganda"

Go out on the street…look for him on walls, in magazines and in galleries. The work manifests as sculpture, paintings and toys along with his own movies and cameos appearances. Ron English is just about everywhere. “POPaganda” is the name of choice he has dubbed his art and his claim to fame is with much warranted. That being said Ron takes on contemporary and counter-culture ideas and art. He is recognized in both streams and duly respected.  

The work is colorful, hyper-real and extravagant. His sometimes bizarre references on contemporary consumerism, culture and art history are amusing and at times disturbing. English does not believe in leaving his viewers with any lack of zeal. His hand is sure and the technique masterful.  He has influenced elections as much as any artist especially in the campaign of Barack Obama (2008). His work “Abraham Obama” was inspired from his feeling that there was a definite similarity between the 16^th President and the then to be 44^th president in looks, demeanor and historical relevance.

                                                                                         

You can look for Tony-the-Tiger, Cap’n Crunch and Toucan Sam as enlarged obese symbols of American obsessive habits and addictions in the English oeuvre. The Frankenstein Monster, the Incredible Hulk, the Marlboro Man and Homer Simpson are not spared English’s scrutiny and abuse. Creatures from the animal kingdom are hardly spared or excluded; English is very generous in his appetite for extreme satirical candor.

It is actually Pablo Picasso’s Guernica that English has referenced to the largest degree and number. His recreations and improvisation on the bombing of the small Spanish village (one of the world greatest and utterly heartless acts of crimes against humanity) that continues to intrigue and inspire the contemporary artist. His parody’s can be humorous and ironic but some are equal to the original even daring to surpass in horror the original.   

English continues to work and explore the infinite. He is an artist well into but still in his prime and expands his inextinguishable thirst for creativity. His journey is one that is open to the world. I can only encourage you as he would love you to join along.  

Hearts of De Milo with Drawings Pinocchio / Jim Dine

Among the most prolific, distinguished and knowledgeable, plus one of the last of a breed of artist that is true to the hand and eye all are Jim Dine. He is one of the original artists to be exhibited under the moniker; “Pop.” Dine continues to work and explore the limitless realm of possibilities. Like his “Pop” peers he chose to and works largely from established cultural icons. Dine’s work includes the Venus De Milo, valentine hearts and the ubiquitously lively marionette Pinocchio. Other favorites among his subjects are every day bath-robes, common tools and further stepping outside of the “Pop” restraints; figurative studies. Paintings, sculpture, charcoals and prints exist within his mastery of mediums and forms. Dine is literally the “King of Hearts” in an ever increasing world of soulless and mindless artists / creators.    

Dine is included in collections across the globe; the British Museum (London), the Hirshhorn (Wash. DC), The Met (NYC), Centre Georges Pompidou (Paris) and both MoMA (NYC) and San Francisco MOMA.  He is much sought after by collectors world-wide and especially in Miami Beach. I learned this early last December at Art Miami where I was seeing an unusually large number of his works exhibited. I asked Susan Dishell an LA based gallerist in conversation about the abundance of Jim Dine works on view; this while admiring one of her Dine Hearts. Susan said “Dine’s use of color vibrancy and his painterly technique are a great fit with the character of the Miami collector.”  It made perfect sense as we stood before the painting she said was created especially for this most recent Art Miami fair.

                                                                                                 

Dine talks  Dine

I’m a longtime fan of Dine’s dating back a number of years and greatly admire his atmospheric, richly textured and the vaguely unfinished quality in his works. The Dine Pinocchio drawings are a hallmark of his many tools and skills. His illustrated edition of the classic Carlo Collodi tale is fabulous. Being true to his “Pop” roots the Dine works are a definite nod to the Walt Disney studios’ interpretation. While he reflects the Disney esthetic; he goes beyond the Disney cartoonist’s visions to a place of artistry, beauty and intrigue within his most effective efforts. 

The former teacher and heroic Jim Dine’s continuous outpouring of spirit and craft are things of truth and beauty. Dine is to be celebrated, revered and many times over admired. His ever expansive body of work enlivens and inspires ever increasingly as it exists and surely grows for our own fulfillment.