Wangechi Mutu

 

 

 

Her work is of equal parts beauty, charm, intrigue and an unusual sense of glamour. Wangechi Mutu finds herself among the most celebrated and collected artist of her times. She is featured in the world’s most elite magazines and shows in every major venue. Wangechi’s creations reflect the ivory and bronze sculpture of the High Benin Culture and the marvelous collages of Romare Bearden. Mutu’s work is equally marvelous! Mutu’s mixed medium pieces are also akin to the works of the lovely Bette Saar in approach. Mutu’s Kenyan background is a strong element of her visuals without limiting it to being purely ethnic.  This is a good thing; her works are universal in appeal. The spirit and the reality of Wangechi Mutu is ultimately; like all great artist, uniquely her own. The requirement of originality is met superbly by Mutu and we are all the more enriched by it.

 

Mutu is a graduate of Yale and like her fellow graduates Kehinde Wiley and John Currin represent the contemporary leaders of the 21^st Century art scene in a grand manner. Wiley and Currin are almost exclusively painters while Mutu embraces medium as varied as sculpture, installation and video. In this she is very much a force in the art world. Mutu is best viewed (as is a chacteristic of all the best artist’s work) in person. A walk through the works of Mutu is a treasured phenomenon, it is the greatest pleasure.

                                                                                                                                                 

“I’m really trying to pay homage to the notion of the sublime and the abject together and using the aesthetic of rejection, or poverty, or wretchedness as a tool to talk about things that are transcendent… we really do have to pick up pieces and remake and rework things and translate them into something new and hopeful.“

Wangechi Mutu

 

 

She is an artist very much attuned to the cultural, astethic and political climate of our times. All of this brilliantly evident in her art and life. Wangechi Mutu is to celebrate!
 

Beasts of the Southern Wild

A modern parable of life, love, the metaphysical wonder of childhood and the longing to connect our primordial beginnings to our ultimate destinies.  A world of flood, survival, fears and death are viewed through the eyes of a small child in an obscure delta community. The strongest little heroine the big screen has seen probably since the Great Depression is enchanting her own world and pretty much every viewer of this remarkable thing; “Beasts of the Southern Wild.” This is of course an after- thought looking back at a remarkable screen experience. Watching this is to be very much in a state of entrancement, abandon and awe.

 

 

To describe this film is almost to do it an injustice. It is the most unique cinematic style of story-telling to come around in many years; it is the real thing. It can only be truly appreciated in the viewing. It will live with you for a while.The center of the film is Hushpuppy; portrayed by at (the time five year old) Quenzhane Wallis. She is dynamic…you will be drawn in from her first frame on screen.  She and her single parent father Wink; Dwight Henry (who is superbly cast) go on an amazing journey that cuts to the core of life and existence in a rare thing of beauty. Ben Zeitlin directs and shares a co-writer credit with Lucy Alibar. Alibar’s one act play “Juicy and delicious” was the basis of the film. 

 

“Beasts” has already been lauded at Cannes and Sundance. More acclaim is certain to come. It is what film is about when thinking of the new and daring. Add it to your must see list…you will not be disappointed by this miracle!

BANKSY

He should be arrested for his crimes. He should be commended for his social commentary. He has defaced property. He has enhanced his urban environment. He is a criminal. He is an artist. Banksy is in a league of his own. He is one of the coolest guys that no one knows…at least his true identity. No one knows him besides his art dealer and a select few. Literally making his mark first all over Bristol and London; now the world is target. Ranging from Tel Aviv to New York he is a sensation. His works are alarming, humorous, poignant and ridiculous. An Artist/Graffiti Writer of a unique, personal vision that engages and enrages in equal measure. His work is distinctive and immediately recognizable.

Banksy works primarily with stencils. He can accomplish more in a short, safer time period. His work is going on walls and spaces that if he were caught in the act of posting would lead to serious jail time. He has placed his work on gallery walls like the Tate and modified objects on sidewalks for his artistic purposes. Often his stencils extend from their wall beginnings into and becoming a true part of the world. His graffiti is often tailored for a specific spaces and this speaks to his brilliance and daring. Location is all to Banksy.

“Exit Through The Gift Shop” is Banksy’s documentary film piece. It is amazing! It centrally questions the notion of art and the artist in the contemporary world. His book “Banksy,Wall and Piece” should be in every home and library. Many of his quotes, illustrations and stories are told here.

He has ventured into animation with an extended “Simpson” intro segment. This was another phenomenal piece for the adventurous Banksy.  Banksy is in the running of becoming one of the enlightened social humorists of our times and compares to the greats of print, literature, spoken word and paint. His reputation is richly deserved; a true artist in tune with his times speaking with a resounding voice. Long live Banksy!

Banksy Quotes

"A lot of mothers will do anything for their children, except let them be themselves.”

― Banksy 

“The greatest crimes in the world are not committed by people breaking the rules but by people following the rules. It's people who follow orders that drop bombs and massacre villages”

― Banksy

“I mean, they say you die twice. One time when you stop breathing and a second time, a bit later on, when somebody says your name for the last time.”

― Banksy

“Sometimes I feel so sick at the state of the world I can't even finish my second apple pie.”

― Banksy                                            

The Joker

The Joker: the playing card that is thrown out of most decks and seldom used in games. When it is used it is usually “wild.” It is the most distinctive in design; attractive, strange and intricate to the eye. Bob Kane choose wisely when he developed a villain based on the playing card and the love hate relationship we have with clowns. The silent film “The Man Who laughs” was with no doubt a major influence as Kane molded his “Joker.” The film’s star; Conrad Veidt seemed to go deeply into Kane’s psyche as his “Joker” is a near duplicate of the film’s character; Gwynplaine.  

 A hero is only as intense and compelling as his antagonists. The Joker as imagined by Bob Kane became an instant hit and a star in his own right, unique in the world’s greatest comic book rogues gallery.  The Joker even won his own comic book title and was a best seller. He was always a real threat to Batman and anyone that crossed his insane path. Like Batman he has evolved and gone through changes and flowed with the changes in society and the core readership of the comic book fan.

In the lengthy history of the character the Joker has created his own utility belt, a joker-mobile and a lethal laughing gas that causes his victims to laugh themselves to death while leaving the unmistakable distorted grin of “The Joker” on their faces. Within his time The Joker has caused the death of Robin, crippled Batgirl and had many bloody hand to hand (though very much one sided) confrontations  with Batman himself. The joker is unquestionably insane but there has always been a true sense of the comic and the ridiculous as part of the character.

Along with Batman The Joker has moved to other mediums. He was a special part of “The Sixties” TV version. Caesar Romero was television’s “Clown Prince of Crime” as he had become known to that generation. He remained in the role throughout the duration of the series and he played the part with much delight. The next screen “Joker” would be Jack Nicholson in the Tim Burton darker, psychologically charged film version. Batman was darker but The Joker kept his sense of humor intact. “Where does he get those wonderful toys?” The Joker ponders as Batman attacks in his “Bat-Wing” stealth flier. This has become one of the funniest and most memorable lines in modern film.

                                                    

The Men Who Laughed

It is with the Christopher Nolan trilogy of Batman films that The Joker has seen his most demented and disturbing incarnation. As envisioned by Nolan and portrayed by the late Heath Ledger “The Joker” is sadistic and vile; a remorseless, soulless beast. His face has the look of the victim of a serious accident or beating. It is disfigured, difficult to look at and devoid of any humor. Nolan’s “Joker” commits an unusual number of mindless, inhuman acts. He kills without discrimination or pause. His sick mind rationalizing everything he does as he explains many times in his dialogue. Sadly a deranged gunman chooses to immulate this “Joker” in real life at the opening of the Nolan film “The Dark Knight Rises.” We continue at this date to mourn the death of twelve individuals and we pray the remaining injured will recover. “Why so serious?” is the question The Joker asks in Nolan’s “The Dark Knight Returns.” It is the gravity of the times…perhaps it is the times.

In the comic book world of Gotham City The Joker is Batman’s foil supreme. He is the clown of macabre laughter, mayhem and mirth who contrasts Batman, the man of dedication brilliantly. We go to the realm of imagination to escape a sometimes torturous and senseless world. I hope we can return there again.

The Dark Knight

The character was born into a time of heroes and villains; of adventure and deeds. Virtue, nobility and honor were central to this man/character who would attempt to give meaning to the senseless death of his parents to somehow make a world better by the protection of the innocent and bringing a form of justice to the predators. His plan; to strike fear into the hearts and psyche of those who would commit crimes as he stopped their individual acts of violence. His methods could be questioned as they certainly would be in a real life situation but he is a character of fiction. He is created to be and became a symbol of the best that we can be. He was created in the spirit of the greatest fiction and entertainment. He is the creation of writer illustrator Bob Kane…he is Batman.

“Criminals are a superstitious, cowardly lot. So my disguise must be able to strike terror into their hearts.”                     Bruce Wayne speaks from “The Legend of the Batman”

Bob Kane drew on many sources when developing his “Bat-Man.” His influences range from the notebooks of Leonardo Da Vinci to Chester Gould’s newspaper strip “Dick Tracy.” The Scarlet Pimpernel and Zorro were wealthy socialites that hid their identities as they used their resources to “right wrongs.” They were among the source influences. Pulp fiction and movies all went into his work and perhaps that is a reason for the characters longevity. Batman has been Interpreted and reinterpreted over the years in every medium; novels, radio, animation, comic strips and film.

It is in film today that Batman has reached his greatest audiences and his most recent brilliant incarnation. The award winning films of Christopher Nolan have given us a timely and reflective view of Batman’s Gotham City. Like all great works of art it speaks to us and our times. Sadly life imitates art in a twisted demented way when cycled through the mind and heartless soul of a socio-path. This past Friday night at a midnight showing of “The Dark Knight Rises” the final installment of Nolan’s trilogy innocents were visited by a dealer in death and mayhem. It was the greatest cowardice; a cowardice that is all too often repeated in the world, the society of today.

Why was it the Batman film debut? We may never know with any certainty. Probably just in the unfortunate timing of the release; a terrible misfortune. A movie is released; a psychotic plots mass murder weeks or month before. He chooses the venue of the highest visibility.  He dyes his hair and calls himself “The Joker” (the previous film’s antagonist) and gargs himself like the villain “Bane” from this latest movie. Nolan’s version of Batman is the darkest to date. Remember the sixties version starring Adam West. Video/ role playing games, movies and the comic books of the day are all increasing and disturbingly violent. Who’s at fault? The makers, marketers or are we all unwitting accomplices in our own demise. When will the trends reverse?  When will the pendulum swing back? Where do we go from here?

In this time of mourning our hearts go out to the victims and their families. We will attempt to give them as much understand and comfort as we can. Our nation has experienced the loss of too many magnificent, loving souls. We search and pray for answers.   

A character of fiction…a terrible tragedy…the nation mourns.

What the…Hellboy???

“The World’s Greatest Paranormal Investigator”

I’m sure this won’t be a huge surprise but; he’s the son of a demon and a witch. Fire red, shaved horns, cloven hooves, and tail are his signature look. His right hand (of doom) is a sort of sledge hammer and a key to opening  the Hadean Gates. Hellboy carries a very large gun “The Samaritan” that shoots his own patented fifty caliber “Demon Destroyer” bullets. His attitude; Bad...Capitol “B” Bad. There’s a small bit of a chip on his shoulder; he loves a good fight. Given this he’s actually a hero that fights the forces of evil. He has a soft spot for cats. No; he doesn’t eat them he adores them as pets and will do anything to protect them. Hellboy’s one of the good guys.

Writer/Artist Mike Mignola created Hellboy in 1993 and his creation became a hit as a comic book character almost immediately. Hellboy has been adapted to film, animation, novels and video games. His fan base continues to grow as one of the great incarnations of the imagination. Mignola’s man/creature started with the “look” from a single drawing he did for fun. The editors at Dark Horse Comics loved Mignola’s  work and talents; they urged him to create an original project for publication. Mignola choose to work from his “Hellboy” drawing and he created the themes and supporting cast around the character’s commanding presence. The Hellboy project was something that Mignola could put all of his favorite literary and entertainment influences into and use as devices. Monster films like “The Mummy” and “The Bride of Frankenstein,” gothic horror and ghost stories, pulp fiction, ancient myths legends and lore. It is even hinted at within the context of Hellboy's narrative that his mother was the descendant of Morgana Le Fey and Arthur Pendragon. Could Hellboy be the rightful heir to the British throne?

In the beginning…Professor Trevor Bruttenholm and a group of American soldiers rescued a tiny creature released from an inter-dimensional portal to a mysterious astral region opened by Grigori Rasputin and a group of Nazi’s during the Second World War. Hitler; in reality was very much interested in the occult and believed he could use it powers. The G.I.’s name the small creature with the oversized hand “Hellboy” on the spot and adopted and raised him as a human. Trevor Bruttenholm became Hellboy’s father and “The Bureau for Paranormal Research and Defense” (B.P.R.D.) was formed around Hellboy. He fights evil under the organizations banner.

“When things go bump in the night; we’re the ones who “bump” back.”
Trevor Bruttenholm

There have many writers and artist to imagine and contribute to the development of Mignola’s Hellboy; John Byrne, Bruce Timm, Christorpher Golden, Guy Davis and Rich Corben are a few but none are more immersed in the legend than film maker Guillermo Del Toro. The Hellboy films are rich tapestries and very faithful to the spirit of the characters and situations.

As with Mignola’s beginning the look of the movies are perfect. When Del Toro makes changes they only embellish and clarify what was previously published. The films are perfectly cast with Ron Pearlman in the lead. Pearlman is magnificent and born for the role of Hellboy. He is no stranger to heavy make up and prosthetics.  He makes it all look effortless and real as no other actor could. Most of Pearlman’s great roles have featured the actor totally immersed and hidden by masks and modifications. Vincent from television’s “Beauty and the Beast” was his first success. He was mesmerizing in that role. Pearlman is the Lon Chaney of our times; Del Toro the James Whale.

“Pan Cakes”

In conjunction with the release of the first Hellboy Movie DVD Mignola wrote a short story about the two year old Hellboy. The folks at the B.P.R.D. try to get a reluctant Hellboy to try a new treat for breakfast. He finally gives in and tastes pan cakes for the first time. He loves them. At the precise moment pandemonium breaks out in the city of Pandemonium (The Capitol City of Hell.) “It is the boy. He has eaten the pan cakes. He will never come back to us now.” A demon laments this to another minion of Hell. Hellboy has discovered what every small child knows. There is nothing so close to heaven as the pancake prepared with and given in love.

 Mignola have been honored with the top awards in the field of graphic novels and story-telling. In 2002 “Hellboy: Conqueror Worm” won the Eisner for “Best Limited series” and “The Art of Hellboy” won the 2004 Eisner for “Best Comics Related book.” The Eisner is the field’s chief award. Mignola holds his own with the all-time best.

There seem to be limitless avenues for Hellboy and the B.P.R.D. to travel. It is our pleasure to tag along for this infinite, immaculate ride.

Annie Leibovitz: The Wizard of OZ Portfolio

John Currin dressed in a silver suit, raised axe in hand stands over a startled Keira Knightly.  White evening gown and tiara adorned Kara Walker backed by the Penn State Marching Band face a humbled Keira Knightly. A horrified, fearful Keira Knightly is whisked away by a winged, furry Jeff Koons as another winged furry Jeff Koons follows. “The Lion in Winter” Jasper Johns perches, stately above an awed Keira Knightly. The Annie Leibovitz treatment of the L. Frank Baum novel turned film has never been so in vogue as when it appeared in the December 2005 issue of “Vogue.” This portfolio rocked the world and especially the “Art World.” Leibovitz is famous for her photo spreads and celebrity portraits but it is rare to almost non-existent for “A-List” artistic luminaries to be featured as stars in such a mass media venue. All the stops were pulled out for this one as Annie; such a prolific and passionate professional scores big.  She rarely misses. She is on target and in her best form with her OZ fantasy photographs.

Leibovitz began he career in the early Seventies. Rolling Stone magazine was her first home. Her photos chronicled the celebrities and events of our times like no other. She is among the select few to be both an artistic and commercial success. Her timely portrait of John Lennon and Yoko Ono, The nude/ pregnant Demi Moore, the milk bath Whoopi Goldberg and the “Blue” Blues Brothers are classics. Leibovitz always goes to the next level and even a little farther with her works that are often theatrical vignettes. She is able to get to the hearts of her subjects and they reveal much of themselves to Annie as with no other photographer. Leibovitz’s work graced and defined “The Cover of the Rolling Stone” for years. She was to move on to Vanity Fair, Vogue, the Disney Corporation and other clients. Her body of work is unmatched or surpassed. Leibovitz is embraced by generations and she continues to work and grow touching all forms of photography with her unique vision.

Her massive book; “Annie Leibovitz: A Photographer’s Life 1990-2005” is a major success for her. It is the best selling photography book of all time. It features both professional and personal works. Her relationship with Susan Sontag is a main feature of the book and much is reveled about Annie in the pictures and minimal amount of text. She draws no distinction between her life and vocation. I was able to see her exhibition following the release of her book at the Corcoran in Washington DC. As expected it was a treasure and a great joy. 

The Wizard of OZ portfolio; complete and impressive as a standalone piece is in many ways a small sample of this woman’s greatness.  There is much more to her body of work that is still growing. Leibovitz continually amazes as she informs and entertains. Her captured moments are precise and decisive. Everything a world class talent should be; is she.

Ai Weiwei's Circle of Animals/Zodiac Heads

It is a compelling and totally entertaining group of sculptures. Twelve animal heads perched on ten feet tall stands; magnificently displayed in the central plaza of the Hirshhorn. Ai Weiwei has created a work that is intricate, masterful and a joy. “Circle of Animals/Zodiac Heads” is a public exhibition that easily surpasses any hype and is impressive indeed. Weiwei is the talk of the world as much for his political persecutions as his massive body of work. Weiwei is co-designer of Beijing’s “Bird’s Nest” stadium, an installation artist and a conceptual artist. His writings, particularly on the internet social media sites have been released in book form have enlivened many supporters as well as created trouble with the Chinese government. He is also accused of tax evasion to the tune of a cool two million in US dollars.

The original eighteenth century fountain sculptures that inspired Weiwei’s “Circle of Animals” were destroyed by invading westerners in the nineteenth century. This happened during the Qing dynasty. Weiwei’s versions of the Chinese zodiac characters are largely his own improvisations. This gives the work it’s mark as a contemporary piece while linking it to world history. Walking among these impeccable bronzes is literally a walk through the ages; past, present and future.

These are heady times (no pun) for artists, artisans and connoisseurs. The Hirishhorn is playing host to the great works and artists of the day. It is becoming an important institution with a distinctive flare and flavor of it’s own.  Ai Weiwei will be visited again later this year at the Hirshhorn in an extensive US premiere exhibition featuring sculpture, photography, video and site specific instillations. His enigmatically titled “According to What?” will extend his legacy, his reach as a creator, the Hirshhorn’s prestige and our personal enrichment and artistic pleasure.