Dave Mckean: The Arcane The Image

To look into the art of Dave Mckean is to look into places of unlimited intrigue, depth and range. The works are window openings into a mysterious and arcane psyche. The portals are many and vast as a journey outward into the stars or equally inward to the micro biotic multi-verses. 





                                            Mckean seduces and captures with the creations of his unbridled talent and imagination. His worlds are mystical, magical potions of the best alchemy. Mirror Mask, The Sandman, Wolves in the Wall, Coraline are among the stories, novels and films of Dave Mckean. They are all collaborations in part with his colleague/friend; the much admired writer Neil Gaiman.

The work can be dark, foreboding and something strange as that of a counter-culture artist. Mckean’s art is not repellant like many other counter-culturists but inviting and dreamlike without being the stuff of nightmares.    

In 1993 DC Comics would introduce their now legendary line of graphic novels; Vertigo. Editor Karen Berger would enlist writer Neil Gaiman for the initial series of books; “Sandman.” The entire line of books including Gaiman’s “Sandman” were targeted for mature readers and are among the most popular and celebrated of the Horror/Fantasy genre. Dave Mckean would join “Sandman” as official cover artist mid-way through it’s run and his work would become the art most associated with “Sandman.” They are also among Mckean’s most recognizable and original creations. “Sandman would be described as:

“A comic strip for Intellectuals.”

Norman Mailer

Another author from the Vertigo Line; Grant Morrison had earlier (1989) penned the then radical hard-cover novel, “Arkham Asylum: A Serious House on Serious Earth.” His was a Dark Knight Tale remarkably conceived and illustrated with Mckean’s extraordinary graphics and evocative paintings. It remains a land-mark achievement and is in every sense a classical marriage of prose and image.

As a film maker; Mckean’s seminal work to date is “Mirror Mask.” It is yet another brilliant collaboration with Neil Gaiman and The Jim Henson Company. The plot is a variation of Lewis Carroll’s “Through the Looking Glass, and What Alice Found There.” The look is visually stunning with the definitive style of Mckean’s best product. It is memorable as a cult film with a distinct “indie” flavor. 

The reflective study of the works of Dave Mckean is a perfect start for a breezy October evening and then on; into the night.

Alien

 When director Ridley Scott sought to create something magnificently horrific and challenging for film viewers at the dawning of the “Star Wars” era of film he looked to artists including; Chris Foss, Moebius  and  most strikingly Swiss Surrealist H.R. Giger. The works of Giger were unequaled in terms of their scope; sense of dread, ability to repulse as they equally intrigued and encaptured his viewers. They are with every possibility the purest examples of nightmares ever put to canvas or screen. Giger’s monochromatic creations were very much driven by his own sleep disorder (night terrors) as by his rich imagination. Giger is a technically skilled artist and draftsman with a style almost completely unto himself. There is only one H.R. Giger.

The creations and designs of Giger possess a quality of things emanating from the mind and heart of a madman. His works can be difficult for most viewers. He has referred to the hopelessly insane as being a large portion of his audience. His pieces are as many times representational of eroticism as they are a combination of a repressed violence. They are often composition of the demonic; distantly removed from anything remotely of the saints. What artist could be better suited to contribute to the horror genre films of the late 20^th Century?  

“Bio-Mechanical” is a term Giger often used to describe his own creations. In that too he was singular as I know of no other artist fitting into Giger’s self-titled genre. He was able within his career to expand on many forms of creativity and cross markets. He was first of all a painter (nothing short of a master) and after that he included set design, sculpture and film director. He was very much ingrained in the music field; often as a commissioned artist. Emerson Lake and Palmer, Debbie Harry and many other musicians used Giger’s works for memorable album covers. He inspired video games and calendars while fans are noted for adorning their various body parts with Giger tattoos. His architecturally informed creations decorate interiors for night clubs and restaurants. Giger is many times over a force in the art worlds variously articulated commodities and structures.  

Earlier this week on May 12^th Hans Rudolph Giger passed away from the earth. Giger was 74 years old and still engaged with his art.  His alien is one of the most terrifying creatures ever preserved on film. He will best be remembered for his alien and the sets he designed for the original Ridley Sott film. 

Humanity has looked to the darkness for generations; most often in fear. It is the keeper of mystery and visions of irrational dread. Giger shared with us his own nightmare scenarios and images in the form of stories. In that he is linked to the ages.  By taking us eerily and endearingly into his nightmares he entertained us and helped us understand and live within our own.

Superman "Man of Steel"

 

 

The “Man of Steel” has been around for many, many extravagant, entertaining and extraordinary years certainly longer than you or I. He was originally conceived by teen agers Jerry Siegel and Joe Shuster in 1938. Within his unique history he has been envisioned in every possible medium since his comic book birth; radio, theatre, novels, games, toys, music, television and film. He is certainly the stuff of legend both as a character and as a production icon of society. Ask anyone if they remember being introduced to Superman and overwhelmingly people will answer that they can’t recall “The Man of Steel” as a new concept. We learn about Superman as we learn of language itself. With so much history and saturation into the American psyche and hearts it is next to impossible to change or revamp the temperament and tone of the character for our contemporary times. Batman his partner, foil and diametric opposite is much more flexible for rewrites and reworks. Spiderman, Dare Devil, Iron Man and even Hell Boy are crafted for our dystopian modern existence. Superman; the “Grand-Daddy” of them all is in most ways just that; the “Grand-Dadd

                                               

                                          

                       

                                                                  

As Superman is known there are some definite things that he can do such as to leap a tall building in a single bound (it would take the rest of us at least three or four bounds.) He is faster than a speeding bullet (there are benefits to this ability; ask just about anyone.) He is more powerful than a locomotive (this refers to a train; something most Americans under the age of thirty probably have never heard of.)  Now; there are also some things that he cannot do. He cannot and has no right to doubt himself. When you can fly purely as a result of your own will power, bend steel in your bare hands, see through walls etc. you do not have any time or reason for petty insecurities. When using said powers you cannot do anything wrong. This means any selfish thing or anything that hurts anyone else (even the bad guy or gal.) You’re the opposite of the baddie and that‘s what makes you the hero; not your powers.   

 

“Man of Steel” opened this weekend in theatres across the country and world-wide. The reviews are mixed; the consensus at this point is “Man of Steel” is at best a descent effort but nothing special. This is the fourth big screen incarnation for Superman. Christopher Reeves set an impossibly high bar for anyone to reach in the Donner films. They will never be surpassed. Reeves personified Superman on screen and he proved to have an amazing amount of courage and resilience in real life. Reeves was an inspiration. This new film comes to us over blown, dark and repetitive. These days the source materials for the super hero “Block-Busters” are known as Graphic Novels. Originally the book’s genre was classified and considered Comic or Funny Books. There has to be a sense of humor; a joyfulness in the equation for anything relating to a comic book creation like Superman, again he is the original. Superman doesn’t need to imitate the kids. He only needs to be himself.      

                                                 All Images of Superman by the Stellar Alex Ross

Quentin Tarantino Inglorious Basterd

The pen and mind of Quentin Tarantino have produced works of malevolence, humor, brutality and passion that illuminate a reflection of life from a most incredibly unique perspective. His perspective is like none the world of film or perhaps the world in any form has known before. Oh that we all could be so blessed as Mr. Tarantino. The characters in his films are often cool to a point of ice cold; violent and bloody (no kiddie stuff here) but they are never lacking of a strong wit to complement their cunning. Tarantino; the magician that he is, makes movies of thought and complexity that are immensely entertaining.  

“Reservoir Dogs” was his first directorial piece but his “Pulp Fiction” burst upon us like nothing before. This powder keg would dramatically change and challenge every established notion of film.  “Pulp Fiction,” something so radical, so different that nothing worthy of comparison has appeared since; except for perhaps some of Quentin’s own works. There’s nothing close to his level. He has spawned some imitation that at best serves merely as flattery. Tarantino is much flattered by his imitators. “Pulp Fiction” revived the career of John Travolta, show-cased the talents of Samuel L. Jackson and made the sound track central to the story telling. The timing and pacing of the piece was everywhere at once and the ending of the film is the chronological center of the actual events. Great job Quentin!   

 

 

 

Tarantino is well on his way of becoming one of the all-time favorites and greats of the cinema. Certainly the most distinct visionary of this age of film. His recent Oscar win for best original screenplay speaks volumes for his craftsmanship. His brilliance and daring are to be envied. In his most recent venture he has been able to take one of the worst segments of American History twists it, turns it, shakes it up and produces a work that elicits laughs, horror, tears and revulsion. He offers questions, enigma, insights and solutions to what is largely the unspeakable; American Slavery.His “Django Unchained” is brilliant in that it is both epic in scope while retaining something of the fun of a romp.  Christoph Waltz wins an “Oscar” for best supporting actor portraying a dentist turned bounty hunter in ‘Django.”  Waltz’s character develops a heart through the course of the film as he and Jamie Fox complement each other well. Samuel L. Jackson is stellar in his portrayal of the “Uncle Tom” character.  No plantation even a fictional one should be without an “Uncle Tom.” Jackson and Leonardo DiCaprio also serve well as foils to their respective characters.

 

 

The list of Tarantino films continues to grow longer and they are increasingly more intriguing. There is talk of a third “Kill Bill” and I’m expecting “Django” to be at least a trilogy; possibly a series. Django and Broom Hilde are prime for a civil war Bonnie and Clyde in a second outing. The third would take place in the reconstruction years and most likely unfold out west in the true “Cowboy” era.

    Quentin Tarantino; one heck of a film maker. Watch out! He’ll be back and I can hardly wait.

Quvenzhane Wallis: At The Oscars

In an age of miracle and wonder a little princess goes to the ball. When director Ben Zeitlin cast the role of Hushpuppy for his soon to be lauded “Beasts of the Southern Wild” he found a gem in Quvenzhane Wallis. She embodied everything Zeitlin was look for and more. Wallis was strong, intelligent, self-assured, plucky and well…cute. There was more to her though and most importantly she won Zeitlin over with heart, compassion and a sense of what can only be described as honor. Both Wallis and Zeitlin were nominated for “Best” in their categories as well as the film itself was respectfully. No Oscars were awarded but the hearts and minds of many were won for the duration. They have been enlisted as friends and admirers for life.

 

At the Oscars and all the preliminary events, glamour and glitz Wallis was magnificent in the special way only an innocent can be. She was stylish of dress and lovely with her little puppy-purses and shoulder bags. Her interviews were on point and she showed a wit and aplomb that equaled many an older and more accomplished actress. Her best moment was a view of her dancing way past her bedtime (that had been extended for the events) and spinning in a circle until she was dizzy. Oh; the joys of childhood!   

Congratulations Quvenzhane! Congratulations for being there; at the ball, for showing us grace and joy and for filling our hearts.

the OSCARS

 

Winning the much coveted statuette “Oscar” is no less the pinnacle of success for all that make their lives in, through and around the film industry.  The 85th Annual Academy of Motion Picture Arts and Sciences Awards Ceremony will be held this Sunday night February 24th in their singular glory. Praise, adoration, glamour, riches accomplishment, purpose and joy live within this gold plated embodiment of “the stuff of dreams.”

There are nine nominees for the award of Best Picture. It is to the Academy’s credit that a total of nine candidates were selected in a category that allows for ten. This adds a special legitimacy to the choices. There is no reason to pick a tenth less accomplished piece just to fill a slot and nine are enough. The nominees are strong and varied in every way. Equally while uniquely worthy in fact they are truly all winners. Political intrigue, history, religion, childhood dreams and revolution are among the elements of these excellent works. Emancipation, rescue, revenge, survival and commitment are found along with feast; famine, love, hate and torture all brought to the big screen and this from the one feature “Zero Dark Thirty.” Imagine what the other eight are like with titles including “Beasts of the Southern Wild”, ”Silver Linings Notebook” and “Life of Pi.”  Twenty Twelve was an amazing year for the lovers of film and the nine nominees for best picture are:     

 

 

Amour

Margaret Menegoz, Stefan Arndt, Veit Heiduschka and Michael Katz   Producers

 

 

 

Argo

Grant Heslov, Ben Affleck and George Clooney    Producers

Beasts of the Southern Wild

Dan Janvey, Josh Penn and Michael Gottwald     Producers

Django Unchained

Stacey Sher, Reginald Hudlin and

Pilar Savone    Producers

Les Misérables

Tim Bevan, Eric Fellner, Debra Hayward and Cameron Mackintosh    Producers

 

 

 

Life of Pi

Gil Netter, Ang Lee and

David Womark Producers

 

 

Lincoln

 

Steven Spielberg and  Kathleen Kennedy   Producers

                 
                                                  
                                                                                                                                                     

Silver Linings Playbook

Donna Gigliotti, Bruce Cohen and

Jonathan Gordon   Producers

Zero Dark ThirtyMark Boal, Kathryn Bigelow and Megan Ellison   Producers

What the…Hellboy???

“The World’s Greatest Paranormal Investigator”

I’m sure this won’t be a huge surprise but; he’s the son of a demon and a witch. Fire red, shaved horns, cloven hooves, and tail are his signature look. His right hand (of doom) is a sort of sledge hammer and a key to opening  the Hadean Gates. Hellboy carries a very large gun “The Samaritan” that shoots his own patented fifty caliber “Demon Destroyer” bullets. His attitude; Bad...Capitol “B” Bad. There’s a small bit of a chip on his shoulder; he loves a good fight. Given this he’s actually a hero that fights the forces of evil. He has a soft spot for cats. No; he doesn’t eat them he adores them as pets and will do anything to protect them. Hellboy’s one of the good guys.

Writer/Artist Mike Mignola created Hellboy in 1993 and his creation became a hit as a comic book character almost immediately. Hellboy has been adapted to film, animation, novels and video games. His fan base continues to grow as one of the great incarnations of the imagination. Mignola’s man/creature started with the “look” from a single drawing he did for fun. The editors at Dark Horse Comics loved Mignola’s  work and talents; they urged him to create an original project for publication. Mignola choose to work from his “Hellboy” drawing and he created the themes and supporting cast around the character’s commanding presence. The Hellboy project was something that Mignola could put all of his favorite literary and entertainment influences into and use as devices. Monster films like “The Mummy” and “The Bride of Frankenstein,” gothic horror and ghost stories, pulp fiction, ancient myths legends and lore. It is even hinted at within the context of Hellboy's narrative that his mother was the descendant of Morgana Le Fey and Arthur Pendragon. Could Hellboy be the rightful heir to the British throne?

In the beginning…Professor Trevor Bruttenholm and a group of American soldiers rescued a tiny creature released from an inter-dimensional portal to a mysterious astral region opened by Grigori Rasputin and a group of Nazi’s during the Second World War. Hitler; in reality was very much interested in the occult and believed he could use it powers. The G.I.’s name the small creature with the oversized hand “Hellboy” on the spot and adopted and raised him as a human. Trevor Bruttenholm became Hellboy’s father and “The Bureau for Paranormal Research and Defense” (B.P.R.D.) was formed around Hellboy. He fights evil under the organizations banner.

“When things go bump in the night; we’re the ones who “bump” back.”
Trevor Bruttenholm

There have many writers and artist to imagine and contribute to the development of Mignola’s Hellboy; John Byrne, Bruce Timm, Christorpher Golden, Guy Davis and Rich Corben are a few but none are more immersed in the legend than film maker Guillermo Del Toro. The Hellboy films are rich tapestries and very faithful to the spirit of the characters and situations.

As with Mignola’s beginning the look of the movies are perfect. When Del Toro makes changes they only embellish and clarify what was previously published. The films are perfectly cast with Ron Pearlman in the lead. Pearlman is magnificent and born for the role of Hellboy. He is no stranger to heavy make up and prosthetics.  He makes it all look effortless and real as no other actor could. Most of Pearlman’s great roles have featured the actor totally immersed and hidden by masks and modifications. Vincent from television’s “Beauty and the Beast” was his first success. He was mesmerizing in that role. Pearlman is the Lon Chaney of our times; Del Toro the James Whale.

“Pan Cakes”

In conjunction with the release of the first Hellboy Movie DVD Mignola wrote a short story about the two year old Hellboy. The folks at the B.P.R.D. try to get a reluctant Hellboy to try a new treat for breakfast. He finally gives in and tastes pan cakes for the first time. He loves them. At the precise moment pandemonium breaks out in the city of Pandemonium (The Capitol City of Hell.) “It is the boy. He has eaten the pan cakes. He will never come back to us now.” A demon laments this to another minion of Hell. Hellboy has discovered what every small child knows. There is nothing so close to heaven as the pancake prepared with and given in love.

 Mignola have been honored with the top awards in the field of graphic novels and story-telling. In 2002 “Hellboy: Conqueror Worm” won the Eisner for “Best Limited series” and “The Art of Hellboy” won the 2004 Eisner for “Best Comics Related book.” The Eisner is the field’s chief award. Mignola holds his own with the all-time best.

There seem to be limitless avenues for Hellboy and the B.P.R.D. to travel. It is our pleasure to tag along for this infinite, immaculate ride.