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Showing posts with label DC comics. Show all posts
Showing posts with label DC comics. Show all posts

Saturday, June 18, 2016

The WONDER WOMAN Trivia Game


















Wonder Woman has been an ongoing cultural icon and pop superstar for years. She is a true character for the ages ranking among the best known characters of fiction including Laura Croft, Sherlock Homes, Huck Finn and Mother Goose. I wrote about Wonder Woman; her cultural importance and her mystery in a blog last year.“WONDER WOMAN & the Endurance of the Modern Myth.”  She continues to thrive in our hearts and minds as a figure of high regard, reverence and great influence.

 READ 2015 BLOG

A single blog should never hold all the history of an idea like Wonder Woman so I am revisiting her with a trivia quiz I created to amuse my friends. Take a look and see how well you are acquainted with the original…Wonder Woman!



1. Wonder Woman’s plane:
A-IS INVISIBLE
B-CAN ONLY FLY SHORT DISTANCES
C-WAS A GIFT FROM ZEUS
D-IS A CONVERTED P-51 MUSTANG

2. Wonder Woman was created in an effort to:
        A. HELP YOUNG BOYS GET THROUGH PUBERTY
        B. INSPIRE THE US MILITARY TROOPS
         C. BECOME A ROLE MODEL FOR YOUNG GIRLS
         D. HELP SELL LADIES UNDERWARE

3. Wonder Woman’s origin story tells us she was:
            A. A CLAY SCULPTURE BROUGHT TO LIFE 
      B. TELE-PORTED FROM MT. OLYMPUS
      C. FOUND BY HER MOTHER; QUEEN HIPPOLYTA, AS AN ORPHAN
      D. A YOUNG GIRL THAT DRANK A MAGIC POITION


4. Wonder Woman‘s creator; Charles Moulton also:
    A.  WAS A WWII FIGHTER PILOT
    B. INVENTED THE LIE DETECTOR MACHINE
    C. RAN FOR PRESIDENT
    D. DEVELOPED THE MEDICATION BEN-GAY


5. Wonder Woman was portrayed on TV by:
A. LINDA LYNDA
B. LINDA HAMILTON
C. LINDSIE GRAHAM
D. LYNDA CARTER

6. Wonder Woman has been romantically linked to:
    A. THE ELONGATED MAN
    B. WONDERMAN
    C. SUPERMAN
    D. MIDNIGHTER







Friday, October 10, 2014

Dave Mckean: The Arcane The Image


To look into the art of Dave Mckean is to look into places of unlimited intrigue, depth and range. The works are window openings into a mysterious and arcane psyche. The portals are many and vast as a journey outward into the stars or equally inward to the micro biotic multi-verses. 





                                            Mckean seduces and captures with the creations of his unbridled talent and imagination. His worlds are mystical, magical potions of the best alchemy. Mirror Mask, The Sandman, Wolves in the Wall, Coraline are among the stories, novels and films of Dave Mckean. They are all collaborations in part with his colleague/friend; the much admired writer Neil Gaiman.
The work can be dark, foreboding and something strange as that of a counter-culture artist. Mckean’s art is not repellant like many other counter-culturists but inviting and dreamlike without being the stuff of nightmares.    



In 1993 DC Comics would introduce their now legendary line of graphic novels; Vertigo. Editor Karen Berger would enlist writer Neil Gaiman for the initial series of books; “Sandman.” The entire line of books including Gaiman’s “Sandman” were targeted for mature readers and are among the most popular and celebrated of the Horror/Fantasy genre. Dave Mckean would join “Sandman” as official cover artist mid-way through it’s run and his work would become the art most associated with “Sandman.” They are also among Mckean’s most recognizable and original creations. “Sandman would be described as:




“A comic strip for Intellectuals.”


Norman Mailer




Another author from the Vertigo Line; Grant Morrison had earlier (1989) penned the then radical hard-cover novel, “Arkham Asylum: A Serious House on Serious Earth.” His was a Dark Knight Tale remarkably conceived and illustrated with Mckean’s extraordinary graphics and evocative paintings. It remains a land-mark achievement and is in every sense a classical marriage of prose and image.



As a film maker; Mckean’s seminal work to date is “Mirror Mask.” It is yet another brilliant collaboration with Neil Gaiman and The Jim Henson Company. The plot is a variation of Lewis Carroll’s “Through the Looking Glass, and What Alice Found There.” The look is visually stunning with the definitive style of Mckean’s best product. It is memorable as a cult film with a distinct “indie” flavor. 




The reflective study of the works of Dave Mckean is a perfect start for a breezy October evening and then on; into the night.


Sunday, September 14, 2014

The Batman and Mr. Finch



                               
David finch has been a fixture and a mainstay within the comic book industry for more than a few years now. He is too with some certain consensus one of the most popular, prolific and persuasive talents to grace the covers and pages of said books dating from the mediums inception to this; the modern day. Publishers including Marvel, DC and independents have all benefited from Finch’s output of phenomenal product and material. Take a pinch of Jim lee, a dash of Brian Bolland mixed with David’s own originality and edginess and you have what is a treat to all aficionados of the form.



Just a few years ago the cover of the September 2010 issue of Wizard magazine would announce a new beginning for Batman. It was graced by what is possibly the single most compelling rendering of Bob Kane’s creation since Detective Comics #27 many years previous, “way back” in May 1939. The five chapter single issue inaugural run “Batman: the Dark Knight” would prove to be some of Finch’s most remarkable and collected works. Finch would take on the writing credits along with penciling on the landmark title. 


Highlights of the featured novel “Golden Dawn” would include appearances by Bat-villains; The Penguin and Killer Croc along with guest–star Jack Kirby’s creation The Demon.  The books would be the last published by DC linked to the original line of comic books. This was achieved before the complete revamping of the entire collective DC titles dubbed by the company “The New 52.” Without losing a step Finch would relaunch his title this time solely as penciller with Paul Jenkins writing a truly bizarre Scare Crow tale both sweeping and entertainly disturbing. The very thing we expect a Scare Crow story arc should be.  




David Finch’s tenure as Bat-Artist/Writer would produce a number of iconic covers; panels and chapters. The graphic story-telling form is much enriched by Mr. Finch and his talents; particularly his artistry. He has moved on from the Batman and is currently developing; along with his wife Meredith, what promises to become a classic version of Wonder Woman. A husband wife team of co-creators is a first for the field and is deservedly and eagerly anticipated.  


Sunday, April 13, 2014

Frank Miller: 300, Sin City & Moore


Frank Miller was writing and penciling Daredevil when I started reading him. It was a cross-over issue featuring the appearance of The Incredible Hulk. I had heard a lot of good things about this Miller guy and the appearance of the Hulk would guarantee a higher price later on the collector’s market if the book was actually a dud.

Miller was rumored and heralded to be a writer of a rare skill and talent. It was said his writing was gritty, dark and misanthropic. Miller’s perception of society was one of disheveled anarchy. He was constantly opening doors previously unknown; taking the risky dark alley to get to that undiscovered yet coveted pay off. He was an original but he loved and respected the medium as he expanded the mythology. He was neither a deconstructionist nor post-modernist. Miller; as it turned out was indeed the “Real Deal.” The rumors were darkly; gloriously true.
Frank Miller is responsible for expanding the world of the super hero and that of the graphic novel as well. Great pieces including hits and classics that remain current: The Dark Knight Returns, Electra Assassin, Daredevil: Love and Money, Ronin, Sin City and 300 are part of the Miller canon.  Miller has changed along with a few other extraordinary talents; including and especially writers Alan Moore and Neil Gaiman  evolved the comic book into it’s contemporary form while expanded the readership beyond all previous boundaries. Miller’s The Dark Knight Returns, and Alan Moore’s Watch Men were mini-series released within the same year and were powerful and intricate enough to become best sellers and are currently required reading in literature classes.  Neil Gaiman’s  Sandman released a few years later would be equally transformative.    


The Dark Knight Returns tells the story of a dystopian future in which a retired and embittered Batman returns to battle evil. 


The future dark world the Batman re-enters has grown increasingly violent and devoid of humanity as Batman has grown older, physically weaker and aggressively slower. This sadder, older hero with his skills much in decline possesses a deeper sense of revenge and purpose along with an enhanced arsenal of Bat-Tools. Miller takes many risks with his writing as he questions a world that would accept a costumed vigilante, governmental miss-use of powers and the psychology of mad men both good and evil.




300 is another of Miller’s best known pieces. Well written and concise it is best known for the film adaptation by director Zack Snyder that Miller producer himself.



Miller was inspired to create his 300 from an earlier film 300 Spartans released in the nineteen sixties. The graphic novel is most memorable for the illustrations created by Miller with his then wife Lynn Varley doing a remarkable water-color embellishment. The over-size hard-cover version is a lush pleasure to be studied, relished and absorbed. Democracy, nationalism and the notion of personal sacrifice for the greater good prevail in this work. 

Sin City
Sin City is a series of seven books that Miller wrote and illustrated. The drawings are almost exclusively black and white which add to the drama and starkness of the works.  It exists in a strangely isolated purely imagined city inhabited exclusively by thugs, cops, hookers, serial killers, corrupt authorities and assorted losers. It is probably the darkest of Miller’s works, his most ambitious, original and successful. Miller was definitely influenced by film noir and the pulps but it is film noir on some kind of hyper-drug. Sin City is Frank Miller!
The  Sin City series is another example of  Miller’s work translated to film. Movie makers including Alfred Hitchcock and Ridley Scott have long used story boards as preliminary studies and aids for their photographic telling of stories and as a plotting device. When Robert Rodriguez decided to film Sin City he shot directly from the books images and dialogue. Why do new story boards the books already existed as such? Rodriguez using few re-writes successfully and faithfully recreated Millers graphic masterpiece into a seminal work. The film was extraordinarily faithful to the original piece; a thing to awe. Miller was along as co-director and even appeared in a cameo.


Frank Miller

The sequel to Sin City is scheduled for released in a few months and it looks to be very good. Miller continues to create as he continues to expand his reputation, to entertain and to thrill!