Absinthe "The Green Fairy"

This alcoholic spirit has taken on a certainly unusual mystique, legendary stature and even persona like no other. Absinthe; “The Green Fairy” is the drink that inspired a generation of artists and writers in Europe (particularly France and Spain) in the late nineteenth and early twentieth centuries. This thriving culture lasted until it was banned because of tons of bad press, word of mouth and a binge drinking farmer that topped off a day of mixing a variety of other intense booze with a bottle of absinthe, murdering his wife and finally suicide.

My first knowledge of absinthe came from my high school studies of the great bohemian artists of and around France. Degas, Lautrec, Van Gogh and later Picasso would consume the drink as well as paint saloon patrons and often reference the beverage.  Writers like Hemingway and Wilde were also fans. Theirs were heady and decadent times. They were also times of the most productive, both experimentally and creatively the world has of yet seen. Absinthe was the Heroin, LSD or Meth of it’s day all served in a unique customized reservoir glass.  

The spirit has recently made a comeback in all of it’s myth and glory to most of it's once banned (almost 100 years) European countries and the United States. “The Green Fairy” is available with the most crucial ingredient; wormwood. The botanical substance derived from a flower is essential to the proof rating and power of the drink. 

One of the greatest pleasures of the absinthe experience is the finishing of the fermentation process traditionally done per glass. It is a somewhat but not overly involve thing. The finishing, almost ritualistic, process requires an absinthe (specially designed flat/sieved) spoon or sufficient substitute, sugar cube, cold water and a glass. First add about 1 oz. absinthe to your glass. Next; balance your spoon on the top of your glass and center the sugar cube. Then slowly drip/dissolve the sugar with the cold water. It is important that this is done slowly.  Usually the ratio is two or three parts water to one part absinthe. Absinthe is one of the more powerful spirits and begins usually at 110 proof. The amount of water mixed should be accorded to your own expectations. BE CAREFUL.

Another warning is; Absinthe is sometimes served “Bohemian Style” where the contents are set to blaze. This is completely unnecessary and is only a form of showmanship. This should not be tried by unprofessionals as in Washington D.C. Absinthe Bars only allow licensed practitioners. These servers alone are legally allowed to be Absinthe Mixologist. 

I made my first time trying Absinthe a complete and full event. I started with looking into selected art books from the Impressionist period through to early Cubism and Da Da. I followed that with watching Peter Sellers in a “Pink Panther” compilation, that; just for the laughs and then followed with singer Sade in concert. She has always impressed me with being a Saloon Singer/Entertainer in the vein of Django Reinhardt, Edith Piaf and Josephine Baker. I was impressed with this heady spirit; Absinthe, it’s pale green color, herbal flavor, licorice bouquet, historical provenance and sophistication. Hope your’s goes equally and deliciously well. Cheers!  

Who's Watching???

A young child sits in a darkened movie theater enthralled; viewing a black and white silent film. This; as a young woman plays the music score on piano, apparently agonized and anguished for some as yet unknown reason. The film is of a masked heroic figure pursuing an apparent villain, both on horseback, in some epic of the American Old West. The scene is reminiscent of the sepia toned opening of the classic “Butch Cassidy & the Sundance Kid.” Both woman and child are African-American. The scenario is about to drastically change as gunfire, aerial bombs and shouts of horror, pain and insults engulf innocents on the streets outside of a once peaceful, almost idyllic town.  This jarring opening is based on the real life “Black Wall St. Massacre” in Tulsa Oklahoma’s Greenwood District in 1921. 

We fast forward to modern times and almost everybody is masked. Who are the good guys? Who are the bad guys? Who and what was the cause of the aforementioned carnage? Why is shrimp/sushi raining from the sky? These are the overriding questions of the premier episode of “Watchmen?” Questions that essentially remain unanswered well into viewing subsequent episodes of the new HBO television series and sequel to the brilliant graphic novel “Watchmen.” 

Originally published in standard monthly comic book installments “Watchmen” was later collected in its entirety and released for readers in the nineteen eighties. It was created by artist Dave Gibbons and writer Alan Moore. It has been much lauded and revered over the years; even chosen by Time Magazine for the top 100 novels released within the years of the magazines conception. “Watchmen” exists in an alternative universe and like every good comic book world there are visions of the fantastic, the futuristic and humor along with ample doses of hysteria and dystopia. 

This satisfying T.V. series by design is complete as a story unit and by decision of creator Damon Lindelof feels like there is no necessity for any further episodes; although someone in the future might have ideas for additional stories. Damon Lindelof has done a brilliant job of production, narrative, and received phenomenal performances from a cast of extremely gifted actors of passionate professional skills and inspiration. Regina King, Don Johnson, Lou Gossett Jr., Jean Smart, Tim Blake Nelson, Jeremy Irons, Yahya Abdul-Mateen II and Hong Chau all starring and feature in illuminating ways.   

“Watchmen” is provocative, disturbing, eye-popping and triumphant television. Watch the compelling first of nine episodes and you will quite likely be committed to seeing it through to a conclusion both jarring and elusive.       

Bill Sienkiewicz "REVOLUTION"

 The arrival of Bill Sienkiewicz’s “Revolution” has been cause for much personal celebration and many declarations. I am a committed and constant follower and admirer of his art. I remember him from his early “Neal Adams Clone Days” and still seeing something of a potential and particular originality in what he was doing. Many comic book artists of the period were doing Adams; he was the standard of the times, so Sienkiewicz was hardly alone in following the Adams example.  At the outset Bill Sienkiewicz had the distinction of being the best of the Adams’ influenced. Even in that he stood out. He captured the broad strokes and the nuances along with the imagination and innovation that made Neal Adams famous. Bill Sienkiewicz would ultimately come into his on with a vengeance when; as he describes in “Revolution” stops attempting to emulate someone else and becomes himself. He always wanted to experiment, explore and in his own way influence the world. He has done that in many ways and in the process influenced many others as he entertains and inspires while daring to express himself in what many considered a limited medium.

                                                                                     

I more or less initially looked at this treasure of a book in two extended sessions. The opening ten pages spoke more than many enclypedic collections of other art and artists. Then I followed with the reading of the heart felt, precisely intriguing, witty and decisively cunning introduction by Neil Gaiman. The two; Gaiman and Sienkiewicz have collaborated successfully together in the past. They are equally noted for their experimental risks, daring natures and contributions as talents. That in turn was enough for me to absorb on one late evening after my copy arrived.

Returning to and then reading the informative and insightful Ben Davis essay and the compelling interview by Churl R. Kim I felt even more enamored of what could be described as the modest and uniquely American Mystique of Sienkiewicz’s persona.  Both essay and interview were further illuminated with yet more beautifully executed fine art influenced illustrations. I was in something of an intellectual and artistic bliss.

Finally I decided to take in the nearly one hundred fifty color and black & white plates of the expressive works; water-colors, acrylic, collage, mixed-medium and pen & ink works of pure genius. Here; I took a cue from Neil Gaiman. He detailed in the introduction that when working with Sienkiewicz he had taken the drawings sent to him for a Sandman story and played with them. Gaiman deviated from the sequence of his original narrative and essentially reversed and mixed the story sequence images and events. This established the need for an almost complete re-write for the material Gaiman had previously plotted. This option took him into uncharted and magnificent new places in his own uniquely personal imaginative spaces.   

I decided on following Gaiman’s lead in viewing  the remainder of the book starting from the last plate and reviewing them in reverse.  The material consisted of Jimi Hendrix, The New Mutants, Stray Toasters, Dare Devil and Elektra; along with pages from his sketch book and fine art renderings all generously offered. This came together into something thrilling, challenging, provocative and entertaining. I found myself touched and as well moved. Ultimately there was a sense of certainty and complexity; in the best way, a personal restoration of significant satisfaction. 

Bill Sienkiewicz Quotes

“I made a decision to love and respect comics as a medium. I believed it was a medium that could do anything.”

“I pursue the emotional truth of something as opposed to simply the visual truth.”

“We are all an evolving combination of all the things we experience. We are an end result of our influences, subconscious or otherwise.”

“If my work influences or touches other people scares them, makes them uncomfortable or brings them joy, it’s a method of communication.”

“At one point everything is brand new, but with time the new wave becomes the old guard.”

“Art is an ongoing and never ending process…you’re not done. You’re never done.”

Picasso WORDS

The 20^th Century produced an infinite number of great and innovative artists and minds. The movements, styles and schools go on endlessly. Dada, minimalism, abstract expressionism, pop and cubism are but a few idioms from the last hundred years or so. Picasso was at the forefront of many and the proponent of many more. He worked as a painter, ceramicist, sculptor, print maker and theatrical designer. With works numbering in the thousands he was considered by most experts to be number one in vast fields of practitioners.

The mind and talents of the man represent something unparalled in scope. It is only fitting that his words would be equally as impressive, witty and poignant as any of his other creations. His attributed quotes are as entertaining and richly original as would be expected of a man possessed of such genius. 

Picasso’s spoke on every subject. Among his particulars were of course art, creativity, imagination, the meaning and purpose of living and many other essentials of the genius mind as well as the everyday. By most accounts Picasso was no writer (imagine that) his quotes came largely from the conversations held with his friends and lovers; also members of the media and other inquisitive types were exposed to Picasso’s insights. His thoughts and opinions were self-expressions that propelled the artist and man through life. One of Picasso’s most interesting quotes summed up his passion, purpose and spirit of living. He was noted to have said; perhaps in jest; “Mass in the morning, Bull Fight in the afternoon and Brothel at night.” He was famous for his attentions and devotion to all three. He also said this small thing that summed up his prenominal work ethic; “I often paint two or three paintings in a single day. Afterwards; I will often paint another to relax.”    

Take a little time now and immerse yourself in the view points, wisdom and words of Picasso. And what would any text on Picasso be without the embellishment of his provocative, timeless, uniquely original and immaculate images?

Picasso QUOTES

“People don’t realize what they have when they own a picture by me. Each picture is a phial of my blood. That is what has gone into it.”

                                                                                                                           Picasso

                                                                                                                                  

“When I paint my object is to show what I have found and not what I am looking for. What one does is what counts and not what one had intended of doing.”

                                                                                                                               Picasso      

                                                                                                                           

“Painters should have their eyes put out like goldfinches to make them sing better.”

                                                                                                                            Picasso

“When there’s anything to steal.

                 I steal.”

               

“Anything of great value-creation, a new idea-carries its shadow zone with it. You have to accept it that way. Otherwise there is only the stagnation of inaction. Every positive value has its price in negative terms and you never see anything very great which is not, at the same time, horrible in some respect. The genius of Einstein led to Hiroshima.”  

                                                                           Picasso

 “You mustn’t always believe what I say. Questions tempt you to tell lies, particularly when there is no answer.”

                                                               

         

“No, painting is not done to decorate apartments. It is an instrument of war.”

The Power of Art