The Exceptional Artistry of Mark Summers

My favorite beer is Samuel Adams. My favorite magazine is probably Rolling Stone.  I’m nuts about Dickens’ literary classic “A Christmas Carol” and the New York Society of Illustrators. So; what is the connection? Mark Summers. 

 He is among the most celebrated and revered artist working today. He is a master of his medium. Summers’ chooses to illustrate with pencil, scratch board and  X-Acto knife. It is a precise, unusual, breathtakingly beautiful and rewarding form of etching. His creations; especially his caricature are perfect representations of his subjects. Men and women from history, past and present; along with imagined characters of fiction. The faces, postures and attitudes are immediately recognizable and true to each of his subjects. His created likenesses are uncanny.
It was from the printed pages of “Rolling Stone” that made me aware of Mark Summers’ work. I became a fast fan of what he was achieving within his efforts.  I then began to notice his work in other magazines and soon in books. Most notably; again, Dicken’s “A Christmas Carol.” Another personal favorite is featured in R.L. Stine’s “Horror Hour.”  Summers embellishes the short fiction “The Black Mask” in that anthology book. His illustration talents are exhibited in “Edgar Allen Poe selected Poems & Tales” collected by Neal Gaiman. I have purchased multiple copies of his books and often given them as gifts to family and friends. He is a great artist/illustrator. Just ask The New York Society of Illustrators.  Summers’ has received numerous honors from this most prestigious organization including “The Distinguished Achievement Award”  and “Best Illustrator” for 2000 & 2003.

“Summers takes the illustrator’s art back a century by enlisting the wood engraver’s craft to the scratchboard medium. He gives it a thoroughly contemporary flavor, however, in the power of his imagery.” 

                                       Walt Reed   “The Illustrator in America, 1860-2000,”

“The most frequent question I get asked about my work is "What program are you using?  The answer to that question; none.  My materials consist of just a pencil, a knife and a pen on a regular scratchboard.” 

                                                                                                                                                                Mark Summers

                                                     

                                                           

Summers’ also possesses an assuredly enviable list of clients including: Time Magazine, The Atlantic, Sports Illustrated, The National Law Journal, Parker Brothers, DuPont and Major League Baseball. Look for his celebrity caricatures monthly in Rolling Stone’s end page feature “Last Word.”  Indeed; he is a busy man.   

Mark Summers continues to maintain the highest of quality in his work and only seems to improve with each project. I am enjoying his continually ascending star, grace and gifts. He is the long ball hitter whose best is yet to be realized and always better. Stick around and be amazed and thrilled by The Exceptional Mr. Summers.  Now; if someone could please pass me a “Sam Adams.”

Don Cheadle's MILES AHEAD

Don Cheadle has delivered a beautiful love letter to Miles Davis, Davis fans and all who cherish good story telling in the form of cinema. I had the immense pleasure of viewing this; the directorial debut of Mr. Cheadle with members of the press and supporting Indie-gogo contributors.  Cheadle; a member of   the fraternity of actors that always give remarkable; flawless performances, shines here in the lead. The work was compelling funny, balanced and of a very high caliber. We see Miles with all his attributes and flaws (which are vividly the spice of every life) in this sophisticated, funny and emotional film. “Miles Ahead” is pure, cinematic joy!  

The Columbia music and recording years of Miles Davis are featured heavily here in remarkable style. Cheadle uses flash backs in scenes that blend seamlessly from the films present into the memory and reminiscing of the main character. The film is placed within a five year period that Miles withdrew from performing and recording. The artistic and varied Davis album covers feature as much as the music as bridges between the many narratives revealed in both the truths and mythologies of Miles.       

                   

Ewan McGregor portrays a Rolling stone reporter that within his attempts to interview Miles becomes a cohort in retrieving stolen come back tapes Davis had recently recorded. They develop a kind of “Butch and Sundance” comradery that drives much of the storyline. Actress Emayatzi Corinealdi; stuns, as Francis Taylor the wife and muse of Davis.  Taylor was pivotal to the life of the man and Corinealdi portrays her as the grand passion she must have been.   Another highlight is the performance of an All-Star band featuring actual former Miles Side Men; Herbie Handcock and Wayne Shorter along with contemporary greats Esperanza Spalding, Gary Clark Jr. and Antonio Sanchez.  

Don Cheadle has created a “crowd pleaser” of a film that has every potential of becoming a legitimate hit.  “Miles Ahead” a visionary homage, completely satisfies and makes me look forward to the next Cheadle project. For all its worth; something for which I am already on board; something certain to be another tremendous, roller-coaster of a ride. “Miles Ahead” is not to be soon be forgotten...Oscars?