Richard Schmidt "Winter"

I love the spirit; the craft and care, the intelligence, the beauty within the art of Richard Schmidt. Schmidt has long been a creator of landscapes, architectural renderings, portraits, nature studies and on and on. There is little that Schmidt hasn’t covered and mastered. This artist/educator, painter and author is among the best in the current market and art scene. His works are academic with a very free y style.  His works are not challenging but they are a joy to behold and savor as a painterly delicacy. Many of Schmidt’s works are seasonal and are of a special interest at this time of year.

The paintings of Richard Schmidt are tonally much in line with another popular American artists; Andrew Wyeth. Wyeth frequently painted images of late fall and winter themes. Schmidt is drawn to the same. A portfolio of Schmidt’s best are here for viewing and presented as a holiday sharing. Like many great painters the works speak most eloquently for themselves and explanations can cause some distraction and are hardly necessary. Please enjoy and feel the warmth of heart that inhabits these winter works. 

There are many that propose that art has to be unsettling, disturbing, as it shatters every preconceived notion. That is wonderful in concept but it is not a prerequisite. In my mind there are no absolutes in the creation or appreciation of art. That is the true greatness found in the pursuit of truth, beauty or the absurd. Art can be for the shock of newness but it can also be moving in the familiar and possess a Zen oneness with the sublime. Schmidt is of the later; a celebration of life and sight.

"In the Spirit of Christmas"

Niki de Saint Phalle

It was on a bright, beautiful, balmy Saturday morning down town in the North Carolina City of Charlotte that my daughter; Gail and I chanced upon something incredible and very interesting. We were just outside the newly opened Bechtler Museum of Modern and Contemporary Art.  A large (fifty three foot) flat- bed trailer truck was being unloading by workers and museum staff members. They were in the process of installing a mammoth sculpture. As my daughter and I witnessed the piece was being stacked to a magnificent height right there in the museum’s plaza. The structure was an extravagant, mosaic-like work with a reflective silver surface. What was becoming a fantastic creature of gigantic scale (granted slowly and methodically) was the Niki de Saint Phalle original; “Firebird.” Just how fortunate were my daughter and I to be privy to this amazing and fantastical event?

Miss de Saint Phalle came to the world’s notice first as a model for Vogue and Harpers in the late fifties. Her intelligence, beauty and sophistication radiated with undeniable elegance and style. Her artistic and creative skills would develop after a nervous break-down.

Painting was therapy and a way of coping with the troubles of her early life. Niki would take her pain, resilience, imagination along with every part of her being and use them in the creation of pieces that continue to resonate and thrill. The paintings evolved into mixed-medium expressions that would lead her into the “Shooting Paintings.” These paintings were literally created by Niki attaching polythene bags of paint to a designed surface and bursting them by firing a loaded shotgun. The making of the paintings would become performance pieces and through them Niki became the only female member of the elusive and respected “Nouveau Realists.”

The works that were most identified with Niki de Saint Phalle; her signatures, her alter egos, her “Nanas.” The sculptural statements of the “Nanas” were representations of robust colorful women; the “every-woman.”   As magnificent in their glory as they were playful in style and execution. Her crowning and most celebrated Nana was a work entitled: “Hon-en- Katedral.”  It was a large scale dwelling like work that visitors entered through what Gustav Courbet would have refer to as “The Origin of the World.” It was credited with a jump in Sweden’s birth rate the year it was exhibited. It seemed the work was enjoyed on a truly unpresented, inspirational level by the many.   

“Life … is never the way one imagis it. It surprises you, it amazes you, and it makes you laugh or cry when you don’t expect it” 

                                                       Niki de Saint Phalle

“The Tarot Garden” in Tuscany, the “Miles Davis” sculpture outside the Hotel Le Negresco in Nice and on a smaller scale (but no less monumental) her impressively unique Niki de Saint Phalle” perfume bottle were among the great and truly wonderful achievements of Niki’s vastly creative life. Her career and out-put continually expanded especially during her marriage to sculptor Jean Tinguely who she also collaborated with on multiple projects including film and video.  The personal price of Niki’s creativity was ultimately the highest. The polyester fibers in her favorite medium would cost her life. Her lungs were scare by breathing in the destructive, fine particles of the material.  Within her time and continuously through our own Niki de Saint Phalle towers and sustains. We are left with the brightness, the beauty, the spirit of adventure that was Niki de Saint Phalle.

Art Basel Miami Beach 2014

There was a gluttonous amount of art on view in beautiful down town Miami Beach Fla. at the end of last week for a solid four days. Along with the art on exhibit there were close to a million viewers; beautiful people of all ages contributing to the look of sophistication and style of this remarkable event; Art Basel Miami.

Between Art Basel, Art Miami, Pulse Miami and the many other satellite fairs it was a weekend nothing less than utterly amazing. The scene was extravagant and excessive but worth every effort in this; the “World Cup/ Main Event” of the art world. It was very much a carnival happening and in that way remarkably refreshing in all it’s luxuriant extremes.

I was able to meet and talk with gallerists, gallery girls and artists among the art market’s high end sellers and shoppers.   There were great conversations with people from around the world and US cities. The nations included Brazil, Bogota, China, South Africa and the UK. The US cities included (of course) New York, Chicago, LA, San Antonio and DC. The grand host city; Miami, is breathtakingly beautiful and the population is incredibly welcoming. The blue water and skies, cruise ships and yachts mesmerize; while the modern and art deco architecture complement each other in spectacular form.    

Great and important works of painting, photography and sculpture including Helmut Newton’s Sie Kommen, Jim Dine hearts, Jeff Koon’s banalities, Chris Ofili’s dung art and Picasso’s cubism available and on view in various galleries. All these works and thousands of others not only on view; but, most importantly for sell. 

There was also live performance art, video, mixed-medium, design and decorative art, supplemented by the many stunningly elegant and high fashion patrons. Yes; there were the "odd ball" one of a kind character dressers too, which in honesty made for a thing remarkable. Refreshment comes in the form of push cart girls selling the original champagne; Ruinart.  It is actually the Ruinart that makes me return to Basel. It is definitely one of the many unique extras that adds to the experience.  Attending Art Basel Miami Beach, Design Miami, Pulse Miami Beach and a few other fairs combined for a complete adventure in art fashion design and culture. It is as exhausting as it is exhilarating and by the way; I’m ready for next year. 

Illustrated by N.C. Wyeth

Robinson Crusoe Illustrated by N. C. Wyeth was what the cover read. It was one of the classic and famously beloved volumes published by Scribners in the early 20^th century. The book was a solid hard-cover edition that looked good and felt good to the hand. The illustrations were compelling, lush, heroic things that as far as I remember discovering was truly “love at first.”  For all it’s worth this encounter was something that has hooked me for life; the love of illustration, books and most particularly the illustration work of the master; Newell Convers Wyeth.

Wyeth had illustrated Treasure Island, The Last of the Mohicans, The Yearling and others in his time for Scribners. His work was always colorful and exciting. When I found Robinson Crusoe in the school library I had no idea how renowned N. C. Wyeth was. I just knew he was phenomenal in what he was doing and I was always able to imagine and wonder, even becoming lost in his detailed emotionally realistic visions. Wyeth towers among the best and is still much an inspiration for me. 

Wyeth would influence generation of young people including his children, especially his son Andy who became equally famous in his own right and then grandson Jamie who continues the family legacy. The Wyeths are certainly America’s finest and most cherished family of the visual arts. They are also great ambassadors of excellence and accomplishment. 

In a rite of passage when our school closed due to integration in 1966 we were allowed to take one book from the school library. Robinson Crusoe Illustrated by N.C.  Wyeth was my; without hesitation, choice. I have it even now and as I hold it and peruse it, I remain in awe as it makes me smile.  

Wayne Theibaud: Landscapes, Cityscapes, Ice Cream and Fresh Cakes

“Landscapes, Cityscapes, Ice Cream and Fresh Cakes” could well be an ad/slogan for the colorful and generous paintings of Wayne Theibaud. His beautiful works are heavily painted, impasto rich canvases that engage and delight his viewers. Theibaud is most closely associated with the “Pop” art movement and artists like Warhol, Lichtenstein, Blake and Hockney. 

His natural talents and training come together in extravagant ways that illuminate our vision of the world through Theibauds eyes. He has this in common with many of the other historic and contemporary masters.  His cakes and candies simply look delicious. His hot dogs give off a warmth and aroma while the ice creams refresh and chill all through the sense of sight.  

It is with his landscapes and cityscapes that I think Theibaud reaches his greatest mastery and are of an even more original statement of artistry then his more famous “Pop” pieces. Theibaud’s landscapes often exhibit hills and mountains of an extreme reality. Taken in context of the Northern California hill sides they are viewed as less extreme and closely resemble the uniqueness of the mountainous area of his home. When looking at the range of land in the area of South Western Virginia that I live in I daily see    views much like those created within Theibaud’s works. The hills are so extreme where I live that the cows are possibly the world’s only cows that are able to graze by raising their heads.

Whenever I’m driving and seeing fields of any red flowers I think of Monet. Green pastures and the yellow harvesting of wheat or hay connect me to Van Gogh. While looking out my window in the dead of winter with the browns, grays and muted hues of that season; I’m seeing the land of Andrew Wyeth’s Chadds Ford.  Now the tallest of lush green hills I see when and wherever will always be Theibaud Hills in my mind.  

Theibaud has famously done and includes character and life studies within his portfolio. He also teaches and has worked in the field of animation. Theibaud is a multi-threat/talented artist and man. He has impressed and influenced many in his time. It is his works that speak most positively for the man and I will let his works serve as conclusion.