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Thursday, February 10, 2011

Four To See




Every year budgets are bigger, profits and tickets are higher, special effects are grander and more people stay at home. Plots are cookie cutter, the faces and costumes change but the stunts and characterizations are all the same.  It’s the state of film today. We’ll soon need a new descriptions of the medium other than film or the movies as what we see is increasingly digitally formatted. I find myself becoming less and less amazed, amused or moved by the product that at one time was a considerable art form.
In contrast to what I’ve just said I now I have to say that recently I have seen four movies (for lack of that new description) that have actually renewed my faith in the theatre experience. These were complete surprises and very welcomed. The title of these gems is:  “The Black Swan”, “The Chronicles of Narnia: The Voyage of the Dawn Treader”, “True Grit” and “The Green Hornet”. Yes; “The Green Hornet” was good enough to make my cut.  These features were all very different and they touched on varying aspects of humanity. They were funny, driven, compelling, intriguing, fanciful and daring. They chronicled many adventures, were gritty, black and one was a even a little “green”. I’ve included individual posters of all and below the poster I have my thoughts on each one. They are four to see.




 Black Swan

 This is Natalie Portman’s vehicle. She gives a compelling, believable performance that like her character should transform her actual career to another level. This is in a film that is in many ways pure fantasy. Set in the competitive, demanding but beautiful world of ballet it is really a dark psychological thrill ride. Director Darren Aronofsky has taken a certain art-house hit and somehow tapped into the main stream consciousness or possibly sub-conscious to forge a popular hit. The twist and turns are many, the intrigue abounds and you will never truly be sure of what is real and what is imagined.



The Chronicles of Narnia: The Voyage of the Dawn Treader
  The third adaptation from the Narnia series of books is completely wonderful, endearing and magical as a series for young readers and movie goers should be. There are no uninteresting scenes here. It is a pleasure from start to finish. One for the whole family’s enjoyment. New characters are introduced and old ones are developed. The special effects are used to develop the story and not merely gimmicks. This enchanting movie was able to capture and convey a sense of awe, adventure and the belief of infinite possibilities.  The leap into the fantastic that once was a staple of the movies is in full form here. 


True Grit

More than any of the films I’ve featured; “True Grit” is the most satisfying and brilliant. The original film is an American Icon and gave John Wayne his only performance Oscar. By placing their version more firmly into the actual time period the Coen brothers have envisioned a more realistic telling of the original source material. It is a remarkable thing to behold. The principal’s performances of  Matt Damon,  Hailee  Steinfeld and Jeff Bridges are to perfection and with no trace of modern quirks and mannerisms. The narrative is one of revenge, justice, perseverance and ultimately about the consequences of our life choices. This is a solid film, the result of creative talent at the height of their powers combined with and embellished by the shock of the new.

The Green Hornet
I really enjoyed seeing just how many things Seth Rogen and Jay Chou as the Green Hornet and Kato could break and or completely demolish. Keep in mind the source material was weak. The Green Hornet was an almost totally forgettable radio show from the thirties, a completely forgettable movie serial in the forties and a mostly forgettable TV show from the sixties (It lasted a grand total of one season). Bruce lee and the car were the only bright spots from the sixties Green Hornet.  Every truly popular super hero has at least one cool nick name; The Man of Steel, The Dark Knight, The Wall Crawler, to name a few. Everyone recalls lovingly referring to The Green Hornet as…The Green Hornet.  Anyway; the character was perfect for a movie with no seriousness attached to it. The laughs are built in because of the almost total lack of any history with any of it’s audience. Good satire with daring escapes, fist fights, car crashes, guns, bloody noses, martial arts and all done remarkably  without tights.





Oscar Night is Feb. 27th



                                                                      
                                                                                               
                                                                                                             



Saturday, January 29, 2011

The Disney Concert Hall



Since the opening of the Guggenheim Museum in Bilbao Spain I have wanted to see something of the work of the most celebrated architect of our times; Frank  Gehry. During this past Christmas Season along with my daughter and grandchildren I was privileged to see one of his most important achievements “The Disney Concert Hall” in LA. It was a complete and perfect joy for all.
                                                                                             
Like any truly wonderful work of art, architecture or craft it is always best to experience the thing in person. This magnificent building did not disappoint. It’s asymmetric design, playful use of geometry and nontraditional materials make it unique to the landscape. It is in many ways the companion and even a sort of extension of the Guggenheim Bilboa.  This is a stunning achievement, a spectacle of a building.



The concert hall is open to the public daily and there are guided tours or taped independent tours available. The interior is equally impressive as the massive exterior. Walls that often follow the contours of the outer surfaces, expansive abstract carpeting and wall art add a specialness to the inner space.



 Wood is used to great effect here both as decoration and support. There is a “Vietnam Memorial “ inspired wall displaying the names of the many contributors and founders of the Hall including Eli Broad, LA’s first citizen of the arts.



 “The Disney Concert Hall” is home to the Los Angeles Philharmonic and presided over by their illustrious and energetic conductor; the phenomenal Gustavo Dudamel. He has invigorated the idea of the symphony in very much the way that Leonard Bernstein did in the Nineteen Sixties. His approach and love of music is a perfect fit for the amazing structure that Gehry has built.

                                                                                    



As we walked around and through a marvelous achievement; a hallmark of a kind we took pictures. All of the photos are from that visit last December to “The Disney Concert Hall”.

Sunday, January 23, 2011

Batman: Ceiling of the City



There is never too much for me to say about Neal Adams. He has been at the top of my list of artists and influences for many years and the subject of a previous Blog. I put together “Neal Adams…He’s  Back” last September. You may have already read it. If not It comes highly recommended. I have done several animations featuring his art work and here is the latest “Batman: The Ceiling of the City”. I used images ranging from his early works to the present to create this piece.

I recently found out that Neal is producing and directing something very similar with his company “Continuity Comics” he calls motion comics. Interestingly he is using the work of other artists rather than his own. His first effort is from a series of graphic novels by Josh  Whedon  and John Cassady. “Gifted” a tale of “The Astonishing X-Men” is phenomenal in it’s own right and perfect for adaptation.



 Adams has done other more historical subjects such as Anne Frank and New York’s Mayor LaGuardia. The man continues to work and to grow creatively. Did I mention that Neal Adams is great!!!

                                    Take a look at “Batman: The Ceiling of the City”