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Showing posts with label study. Show all posts
Showing posts with label study. Show all posts

Sunday, June 9, 2013

"The Greedy Child"


Mrs. Wonderley was everything her name suggested. She was joyful, energetic, vibrant…she taught with a passion and love of the thing; Art. Her knowledge of the subject ran deep. Art’s history, movements and techniques were all introduced to her students. Her classes ranged from pottery to macramé and from mixed-medium to painting, drawing and graphics. Mrs. Wonderley taught from her head but she taught mostly from her heart and love. Her gift to us was a richer understanding and meaning to what art was and could be. She inspired and was wonderful!
The methods of teaching she choose were tried and true and from the respected scientific laws of seeing. Drawings from plaster models and life were done in her art room as we learned the importance of symmetry, perspective, form and composition. There was little she missed but one of the simplest and yet most extraordinary things she did was after instruction and background on our assignments she would jump in and do her own version of the topic. There was no competition in this but she knew as did Leonardo that working with a superior more experienced artist would only make us better. The reality is that she truly enjoyed expressing herself as she continued her own learning and artistic growth. At these times she would most often create originals but copies would sometimes be her choice of expression, depending on her whim. 
On one occasion as we students worked on assignment Mrs. Wonderley chose to copy something from Picasso’s Blue Period, “The Greedy Child.” To see her copying as a drawing this master piece of 20th century painting, this modernist marvel from a master’s hand was a thing of beauty onto itself.  She worked with a relaxed diligence that showcased her talent and ability to see and reproduce both the detail, depth of feeling and nuance of the original. It was impossible to discern any real difference between the graphic structure of the image she copied from and the image we saw unfold on Mrs. Wonderley’s paper. Her choice to copy “The Greedy Child” would increase my admiration for my teacher as well as for the masterful, Pablo Picasso.
Forty years later while walking, relaxing, passing through the National Gallery in Washington, DC my grandchildren and I would stop to sit before a work from the museum’s permanent collection. This was an opportunity to study and further enjoy a painting of beauty, worthy of deeper reflection. It was a gift of sort from me to them. I felt something wholly unique and special as we look at the miraculous, this original work of art “The Greedy Child.” I thought about Mrs. Wonderley and as we looked; the wheel turned. Within this rarest of moments I somehow knew the essence and meaning of art.



Monday, February 4, 2013

Charles White; the Greatest Draftsman


                                                                                                                             

In many ways Charles White is the greatest draftsman the African/American community has produced.  White is a master of grand style. Robust, massive, detailed works that to look upon is to see into the heart of a people that have persevered for generation on faith and an unparalled inner harmony of self, god and nature. His works are intentional pieces; they are testaments to the power of dedication to the higher callings of the artist. They can sometimes be viewed as propaganda pieces but they are of propaganda of necessity and not one of exclusion or a false superiority. White; by reaching into the self and the genetic id of a people has tapped into the universality of the human spirit. In short his works speak to all nations and every human condition.

 

 
The Nineteen Forties through Seventies were White’s productive years and his style evolved and matured as his skill of craft grew. He was married for time to another luminary artist, Elizabeth Catlett. There are individual works by both artists that show a commonality of style and influences.


White was recognized on a global scale throughout his life. He was much lauded and influential as a teacher as well as a professional artist and a friend to the creative men and women of his time. His works of power, beauty and grace virtually shout to the highest of hills of joy and into the deep valleys of despair with the eloquence only the greatest of artists are able to imbue into their works.