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Showing posts with label animals. Show all posts
Showing posts with label animals. Show all posts

Sunday, November 1, 2015

Halloween the Day After


This, the morning after our biggest Halloween celebration; ever. All the decorating, shopping, scares, laughs and celebrating now past. Time to move on. My Second oldest; Gail was born on Halloween and she turned forty. We had to do something really special. Family, friends and a couple of foes gathered for her birthday and the holiday. It was a grand masquerade affair.  

Now early morning; I pull back the curtain from my kitchen window to reveal a Blue Jay (dressed in his best) foraging for food beneath my leaflessly barren dogwood tree. This was special! He went about his chore as I watched securely from my window. There was no reason to disturb him in his brilliant array. His neighbors had a different idea. A starling appeared to rudely shove him from his duties. The starling had his own agenda. Oddly his jacket; black while embroidered with orange strips that gave him a “Day of the Dead” decorative look. He was soon joined by a couple others of his kin. They equally impressive in what appeared to be the height of starling fashion, the orange stripped jackets. The story was unfolding into what might become a sort of drama; but all took their turn and there was plenty of whatever they were enjoying as breakfast to go around. Not to be out done a fat squirrel; immaculate in fur, scurried into view. How amazing; this show completely and gloriously free for my viewing pleasure. I can’t imagine a better beginning for any day.


Later today I’ll probably watch a couple of Horror Classics, read several magazines, a novel chapter or two and listen to a little Jazz. This might also be a good day to write a blog. What do you think? 


Wednesday, January 1, 2014

The Vivid The Varied The Vivacious Sculpture of Beth Cavener Stichter


It was love at first sight. That sight was an ad in “Art in America” magazine featuring one of her addictive clay sculptures; promoting and introducing me to her work. The works are almost exclusively animals that are realistic, whimsical, provocative and alluring. They are Freudian in nature, they droop and cling and hang like a Dali time piece. They are also extrodinariarly unique in their invention. She amazes us with her distinctive and highly unusual style. She is among the most imaginative artist of our times; she is truly marvelous. She is by the way Beth Cavener Stichter.   


As viewers we can look, study, peruse for hours on a given piece of art. It can be a selected work or a body of work in question. We come to conclusions. After all this; many times the artist’s themselves are the best at describing what they do. Miss Stichter is no exception in this:


Both human and animal interactions show patterns of intricate, subliminal gestures that betray intent and motivation. The things we leave unsaid are far more important than the words we speak out-loud to one another. I have learned to read meaning in the subtler signs; a look, the way one holds one's hands, the tightening of muscles in the shoulders, the incline of the head, the rhythm of a walk, and the slightest unconscious gestures. I rely on animal body language in my work as a metaphor for these underlying patterns, transforming the animal subjects into human psychological portraits.

Beth Cavener Stichter




The counter culture has embraced Miss Stichter’s work in a large way. The sometimes erotic and compellingly different approach to the form is hardly main-stream as reflected in the attention of “Juxtapoz” magazine and the vastly similar “High Fructose” and their readers. The dedication to craft and artistry is not missed again by more “High Brow” publications like the International Sculpture Center’s monthly “Sculpture” and the eternal “New York Times.” 





Her combination of human and animal, anthromorphic forms are much to her credit as she shakes up all our perceptions. She continues to grow creatively as she looks deeper into the self and the Id as well as the collective conscience. I look forward to seeing her work soon in person. Perhaps; in the future, even a conversation with this artist of phenomenal feats. An artist of works to love.