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Showing posts with label Painting. Show all posts
Showing posts with label Painting. Show all posts

Sunday, February 6, 2022

"Ain't Burned All The Bright"


Twenty Twenty was not an easy year to love…but it was pivotal. A year marred with the threat, shut-downs and reality of Covid-19, the particular murder of one George Floyd and the storming of the US Capitol in an attempted Coup d'état to name a few dilemmas.  Anxiety was hallmark and in many way no real end in sight of the near future.  A newly released young adult fiction  “Ain’t Burned All The Bright” attempts to give it a different texture, tone and perspective. It is the seminal words of Jason Reynolds and groundbreaking pictures of Jason Griffin that succeeds in unusual and excellent form.  It is much, much more than good. It thrives and refreshes in a grand fashion.



The book is in many ways an attempt at understanding events that we try to come to terms and understanding of within ourselves and through the media. Their obsessive fascination with the horrors of contemporary life along with our own as viewed within our households and with our families.  The words and images of “Ain’t Burned All The Bright” flow in a clarity much like the drum beat of a Jack DeJohnette solo using just snare and a single cymbal. Steady, rhythmic and consistent with the occasional perfectly placed accent.  This flow while steady and paced is one of focused interest and a delight in it’s unfolding narration.

                                                                                                  




And I'm sitting here wondering why my mother wont chance the channel








       and why the news won't change the story and why the story won't change into something new
                                                                                                                      
                                                                                                      






or the way we treat the world


 

 



or the way we treat each other


Ain’t Burned All The Bright” is from the collective efforts of two of today’s brightest young stars. They have individually and collectively received much praise, commissions, accolades and successes including; New York Times Best Sellers, NAACP Image Awards, residencies and world-wide exhibitions. 

                                                                                                       















 The two Jason’s met and bonded while in college and since have become brothers in creativity and spirit. They have collaborated once before on another young adult novel. It has been very well received effort; “My Name Is Jason Mine Too.”  



We can; at this point, hope to see more collaborations and successes between and for the remarkable two Jasons. 




                                        Jason Reynolds          &          Jason Griffin 
                                   jasonwritesbooks.com                jasondouglasgriffin.com




Wednesday, November 20, 2019

Bill Sienkiewicz "REVOLUTION"


 The arrival of Bill Sienkiewicz’s “Revolution” has been cause for much personal celebration and many declarations. I am a committed and constant follower and admirer of his art. I remember him from his early “Neal Adams Clone Days” and still seeing something of a potential and particular originality in what he was doing. Many comic book artists of the period were doing Adams; he was the standard of the times, so Sienkiewicz was hardly alone in following the Adams example.  At the outset Bill Sienkiewicz had the distinction of being the best of the Adams’ influenced. Even in that he stood out. He captured the broad strokes and the nuances along with the imagination and innovation that made Neal Adams famous. Bill Sienkiewicz would ultimately come into his on with a vengeance when; as he describes in “Revolution” stops attempting to emulate someone else and becomes himself. He always wanted to experiment, explore and in his own way influence the world. He has done that in many ways and in the process influenced many others as he entertains and inspires while daring to express himself in what many considered a limited medium.

                                                                                     



I more or less initially looked at this treasure of a book in two extended sessions. The opening ten pages spoke more than many enclypedic collections of other art and artists. Then I followed with the reading of the heart felt, precisely intriguing, witty and decisively cunning introduction by Neil Gaiman. The two; Gaiman and Sienkiewicz have collaborated successfully together in the past. They are equally noted for their experimental risks, daring natures and contributions as talents. That in turn was enough for me to absorb on one late evening after my copy arrived.


Returning to and then reading the informative and insightful Ben Davis essay and the compelling interview by Churl R. Kim I felt even more enamored of what could be described as the modest and uniquely American Mystique of Sienkiewicz’s persona.  Both essay and interview were further illuminated with yet more beautifully executed fine art influenced illustrations. I was in something of an intellectual and artistic bliss.


Finally I decided to take in the nearly one hundred fifty color and black & white plates of the expressive works; water-colors, acrylic, collage, mixed-medium and pen & ink works of pure genius. Here; I took a cue from Neil Gaiman. He detailed in the introduction that when working with Sienkiewicz he had taken the drawings sent to him for a Sandman story and played with them. Gaiman deviated from the sequence of his original narrative and essentially reversed and mixed the story sequence images and events. This established the need for an almost complete re-write for the material Gaiman had previously plotted. This option took him into uncharted and magnificent new places in his own uniquely personal imaginative spaces.   




I decided on following Gaiman’s lead in viewing  the remainder of the book starting from the last plate and reviewing them in reverse.  The material consisted of Jimi Hendrix, The New Mutants, Stray Toasters, Dare Devil and Elektra; along with pages from his sketch book and fine art renderings all generously offered. This came together into something thrilling, challenging, provocative and entertaining. I found myself touched and as well moved. Ultimately there was a sense of certainty and complexity; in the best way, a personal restoration of significant satisfaction. 






Bill Sienkiewicz Quotes



“I made a decision to love and respect comics as a medium. I believed it was a medium that could do anything.”

“I pursue the emotional truth of something as opposed to simply the visual truth.”


“We are all an evolving combination of all the things we experience. We are an end result of our influences, subconscious or otherwise.”




“If my work influences or touches other people scares them, makes them uncomfortable or brings them joy, it’s a method of communication.”



“At one point everything is brand new, but with time the new wave becomes the old guard.”

“Art is an ongoing and never ending process…you’re not done. You’re never done.”



Saturday, February 2, 2019

HEROES

Our’s is a world of heroes and villains. We see both every day in in our personal lives and on the world stage. It is without question that we emulate the heroes; we long to be heroic in whatever way we can.  The markings of a hero is one that often and repeatedly does the exceptional. Heroes exhibit certain greatness and are many times lauded but often they show a quiet, restrained resilience that remains unrecognized by most. You know them and I’m certain you have many of your own.
 I have always been drawn to and recognize many in literature, myth, legend and in real life. Samson and Superman; Kennedy and King, just to name a very few. This page features some of those men and women of the arts of whom I love them all. They are hardly stand alone but I recognize them here.














Ai Wei Wei











         Jean Michel-Basquiat
            




















Frida Kahlo




















                             Gordon Parks




















Kiki Smith




















   Louise Bourgeois         
                       




















Miles Davis




















                            Misty Copeland




















Georgia O'keefe











                                           

                                          
                                       
                                      Salvador Dali   
                                                                                    


Wednesday, August 1, 2018

The Art & Narrative of Elektra Assassin Sienkiewicz & Miller


Imagine it’s something like this; a politically visionary, mysteriously engaging action adventure that is satirically humorous while disguising itself as a romantic spy thriller. This refreshingly funny take on contemporary world events is peppered with, while including demonic possession, psycho- babble and even robotics. Frank Miller and Bill Sienkiewicz gave this jewel of a novel to the world in the nineteen eighties. It was originally released in monthly installments   by Marvel Comics and sold in specialty shops. That was the way I initially read this graphic novel. It was brilliantly conceived and constructed at the time. It not only holds up in our contemporary political climate (the age of Trump) it soars and is on many levels definitive in tone along with being surprisingly prophetic.








































Elektra was a character Frank Miller created as foil to Matt Murdock’s Dare Devil. Elektra was an extrodinarally gifted while flawed character. She was an immediate fan favorite and she was killed almost as quickly as she was introduced. Elektra was too good to remain in oblivion and the novel “Elektra Assassin” was a wonderful way to revisit the character while adding to the mythology in this work that is a prequel to the original Miller thriller. 
























 THE SOVIET PREMIER HAS BEEN SIGHTED AT THE WEST WING...VOTED FOR THAT SON OF A BITCH...LIED TO US...CANT BELIEVE HE'D LET THIS HAPPEN...



I most recently reread “Elektra Assassin” in a compilation edition and it was exceptionally good. In ways even better than I remembered from my eighties encounter with the book.   At this point I couldn’t recommend it any higher. “Elektra  Assassin” is literature at it most heightened. The creators are in-league with Ian Fleming, Dashiell Hammett and Stieg Larsson. They are masters of their chosen form. Miller’s words and Sienkiewicz’s pictures make for an illuminating and grand experience. In another way of phrasing; they are ranking among the very best! 




Miller and Sienkiewicz followed up their achievement; “Electra Assassin” with another tale from the Dare Devil Mythos; “Love & War” which is centered on the chance that the heartless “King Pin” (Wilson Fisk) might actually be capable of loving something outside of his own narcissistic self-love. Could this, again be a prophetic treatise on the inner life of a ruthless businessman politician, someone at the present time, some unnamed public figure?”  But within the mean time take a look at “Electra Assassin.” It just might become a thing treasured in your own right, as you may as yet find to peruse and imagine.

    




















"I don't need evidence," said the President. "I'm the President. I know what I'm talking about," he said. "I got elected didn't I?"






A local man claims to have seen the woman strike down two police officers with her bare hands, before being subdued. Local authorities refuse to draw any connection between this incident and the recent assassination which took pace in San Concepcion.