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Showing posts with label Marvel comics. Show all posts
Showing posts with label Marvel comics. Show all posts

Sunday, May 29, 2022

NEAL ADAMS...The Best There Ever Was...The Best There Will Ever Be.


From Archie to the Avengers, from Ben Casey to “The Brave & The Bold. ”He was to say; The Natural. The Best there ever was…The Best there will ever be.”

Neal Adams  1941 - 2022



He was a creative force of tireless energy. That along with his mastery of drawing and artistic innovation would cement his place in the history of the American Comic Book as a true genius. The dialogue of what the form described and known by various names including comic book / graphic novelization / sequential story-telling is (while in fact dating back to the dawn of humankind and civilization) has been altered from Adam's time forward into the future by his countless contributions and collaborations (chiefly with writer Denny O’Neil.) 




Neal Adams was actually much more than a prominent  voice of the social and racial injustices, changes  and turmoil of the Nineteen 60’s and 70’s within his chosen field; in his eminent way he was too a real life advocated for contemporary creator’s rights, a lobbyist and a bare knuckles fighter of sorts for the community of human kind. This was evident in along with a number of his creations and his reaching out along with Harland Ellison, Gary Trudeau and others over his lifetime to congress and world organizations and institutions. He fought for the teenagers that birthed “Superman,” Jerry Siegel and Joe Shuster, for the compensation and recognition they had been denied yet so richly deserved for decades.
 He won. 




Holocaust survivor, Dina Babbitt would become the beneficiary of Adam’s fight for the return of her artwork that she used in bartering for the life and survival of her mother and herself during the Nazi reign of terror. The Auschwitz-Birkenau State Museum in Poland has recently returned said works to Ms. Babbitt. These are only a small portion of the Adam’s body of resolutions and the righting of selected cultural and historic failings.


                                           More on Neal Adams @ Why Not: A Blog                                          

            
                                 







Sadly; Neal Adams passed on April 28th from complications of Sepsis, a type of blood poisoning. Adams was a man as legendary as the characters he created, developed and voiced within his visual stories. He was one with no legitimate rivals while possessing legions of admirers, supporters and friends.  



Vintage News Footage
Neal, Denny O'Neil & Julie Schwartz 
  


"How to be Great as an Artist"
Neal Adams
     

Adams Sketches 
Deadman
from
"STRANGE ADVENTURES"
        

Adams 1987 Interview
Harlan Ellison Intro.

Sunday, September 14, 2014

The Batman and Mr. Finch



                               
David finch has been a fixture and a mainstay within the comic book industry for more than a few years now. He is too with some certain consensus one of the most popular, prolific and persuasive talents to grace the covers and pages of said books dating from the mediums inception to this; the modern day. Publishers including Marvel, DC and independents have all benefited from Finch’s output of phenomenal product and material. Take a pinch of Jim lee, a dash of Brian Bolland mixed with David’s own originality and edginess and you have what is a treat to all aficionados of the form.



Just a few years ago the cover of the September 2010 issue of Wizard magazine would announce a new beginning for Batman. It was graced by what is possibly the single most compelling rendering of Bob Kane’s creation since Detective Comics #27 many years previous, “way back” in May 1939. The five chapter single issue inaugural run “Batman: the Dark Knight” would prove to be some of Finch’s most remarkable and collected works. Finch would take on the writing credits along with penciling on the landmark title. 


Highlights of the featured novel “Golden Dawn” would include appearances by Bat-villains; The Penguin and Killer Croc along with guest–star Jack Kirby’s creation The Demon.  The books would be the last published by DC linked to the original line of comic books. This was achieved before the complete revamping of the entire collective DC titles dubbed by the company “The New 52.” Without losing a step Finch would relaunch his title this time solely as penciller with Paul Jenkins writing a truly bizarre Scare Crow tale both sweeping and entertainly disturbing. The very thing we expect a Scare Crow story arc should be.  




David Finch’s tenure as Bat-Artist/Writer would produce a number of iconic covers; panels and chapters. The graphic story-telling form is much enriched by Mr. Finch and his talents; particularly his artistry. He has moved on from the Batman and is currently developing; along with his wife Meredith, what promises to become a classic version of Wonder Woman. A husband wife team of co-creators is a first for the field and is deservedly and eagerly anticipated.  


Sunday, April 13, 2014

Frank Miller: 300, Sin City & Moore


Frank Miller was writing and penciling Daredevil when I started reading him. It was a cross-over issue featuring the appearance of The Incredible Hulk. I had heard a lot of good things about this Miller guy and the appearance of the Hulk would guarantee a higher price later on the collector’s market if the book was actually a dud.

Miller was rumored and heralded to be a writer of a rare skill and talent. It was said his writing was gritty, dark and misanthropic. Miller’s perception of society was one of disheveled anarchy. He was constantly opening doors previously unknown; taking the risky dark alley to get to that undiscovered yet coveted pay off. He was an original but he loved and respected the medium as he expanded the mythology. He was neither a deconstructionist nor post-modernist. Miller; as it turned out was indeed the “Real Deal.” The rumors were darkly; gloriously true.
Frank Miller is responsible for expanding the world of the super hero and that of the graphic novel as well. Great pieces including hits and classics that remain current: The Dark Knight Returns, Electra Assassin, Daredevil: Love and Money, Ronin, Sin City and 300 are part of the Miller canon.  Miller has changed along with a few other extraordinary talents; including and especially writers Alan Moore and Neil Gaiman  evolved the comic book into it’s contemporary form while expanded the readership beyond all previous boundaries. Miller’s The Dark Knight Returns, and Alan Moore’s Watch Men were mini-series released within the same year and were powerful and intricate enough to become best sellers and are currently required reading in literature classes.  Neil Gaiman’s  Sandman released a few years later would be equally transformative.    


The Dark Knight Returns tells the story of a dystopian future in which a retired and embittered Batman returns to battle evil. 


The future dark world the Batman re-enters has grown increasingly violent and devoid of humanity as Batman has grown older, physically weaker and aggressively slower. This sadder, older hero with his skills much in decline possesses a deeper sense of revenge and purpose along with an enhanced arsenal of Bat-Tools. Miller takes many risks with his writing as he questions a world that would accept a costumed vigilante, governmental miss-use of powers and the psychology of mad men both good and evil.




300 is another of Miller’s best known pieces. Well written and concise it is best known for the film adaptation by director Zack Snyder that Miller producer himself.



Miller was inspired to create his 300 from an earlier film 300 Spartans released in the nineteen sixties. The graphic novel is most memorable for the illustrations created by Miller with his then wife Lynn Varley doing a remarkable water-color embellishment. The over-size hard-cover version is a lush pleasure to be studied, relished and absorbed. Democracy, nationalism and the notion of personal sacrifice for the greater good prevail in this work. 

Sin City
Sin City is a series of seven books that Miller wrote and illustrated. The drawings are almost exclusively black and white which add to the drama and starkness of the works.  It exists in a strangely isolated purely imagined city inhabited exclusively by thugs, cops, hookers, serial killers, corrupt authorities and assorted losers. It is probably the darkest of Miller’s works, his most ambitious, original and successful. Miller was definitely influenced by film noir and the pulps but it is film noir on some kind of hyper-drug. Sin City is Frank Miller!
The  Sin City series is another example of  Miller’s work translated to film. Movie makers including Alfred Hitchcock and Ridley Scott have long used story boards as preliminary studies and aids for their photographic telling of stories and as a plotting device. When Robert Rodriguez decided to film Sin City he shot directly from the books images and dialogue. Why do new story boards the books already existed as such? Rodriguez using few re-writes successfully and faithfully recreated Millers graphic masterpiece into a seminal work. The film was extraordinarily faithful to the original piece; a thing to awe. Miller was along as co-director and even appeared in a cameo.


Frank Miller

The sequel to Sin City is scheduled for released in a few months and it looks to be very good. Miller continues to create as he continues to expand his reputation, to entertain and to thrill!