Sunday, April 13, 2014

Frank Miller: 300, Sin City & Moore

Frank Miller was writing and penciling Daredevil when I started reading him. It was a cross-over issue featuring the appearance of The Incredible Hulk. I had heard a lot of good things about this Miller guy and the appearance of the Hulk would guarantee a higher price later on the collector’s market if the book was actually a dud.

Miller was rumored and heralded to be a writer of a rare skill and talent. It was said his writing was gritty, dark and misanthropic. Miller’s perception of society was one of disheveled anarchy. He was constantly opening doors previously unknown; taking the risky dark alley to get to that undiscovered yet coveted pay off. He was an original but he loved and respected the medium as he expanded the mythology. He was neither a deconstructionist nor post-modernist. Miller; as it turned out was indeed the “Real Deal.” The rumors were darkly; gloriously true.
Frank Miller is responsible for expanding the world of the super hero and that of the graphic novel as well. Great pieces including hits and classics that remain current: The Dark Knight Returns, Electra Assassin, Daredevil: Love and Money, Ronin, Sin City and 300 are part of the Miller canon.  Miller has changed along with a few other extraordinary talents; including and especially writers Alan Moore and Neil Gaiman  evolved the comic book into it’s contemporary form while expanded the readership beyond all previous boundaries. Miller’s The Dark Knight Returns, and Alan Moore’s Watch Men were mini-series released within the same year and were powerful and intricate enough to become best sellers and are currently required reading in literature classes.  Neil Gaiman’s  Sandman released a few years later would be equally transformative.    

The Dark Knight Returns tells the story of a dystopian future in which a retired and embittered Batman returns to battle evil. 

The future dark world the Batman re-enters has grown increasingly violent and devoid of humanity as Batman has grown older, physically weaker and aggressively slower. This sadder, older hero with his skills much in decline possesses a deeper sense of revenge and purpose along with an enhanced arsenal of Bat-Tools. Miller takes many risks with his writing as he questions a world that would accept a costumed vigilante, governmental miss-use of powers and the psychology of mad men both good and evil.

300 is another of Miller’s best known pieces. Well written and concise it is best known for the film adaptation by director Zack Snyder that Miller producer himself.

Miller was inspired to create his 300 from an earlier film 300 Spartans released in the nineteen sixties. The graphic novel is most memorable for the illustrations created by Miller with his then wife Lynn Varley doing a remarkable water-color embellishment. The over-size hard-cover version is a lush pleasure to be studied, relished and absorbed. Democracy, nationalism and the notion of personal sacrifice for the greater good prevail in this work. 

Sin City
Sin City is a series of seven books that Miller wrote and illustrated. The drawings are almost exclusively black and white which add to the drama and starkness of the works.  It exists in a strangely isolated purely imagined city inhabited exclusively by thugs, cops, hookers, serial killers, corrupt authorities and assorted losers. It is probably the darkest of Miller’s works, his most ambitious, original and successful. Miller was definitely influenced by film noir and the pulps but it is film noir on some kind of hyper-drug. Sin City is Frank Miller!
The  Sin City series is another example of  Miller’s work translated to film. Movie makers including Alfred Hitchcock and Ridley Scott have long used story boards as preliminary studies and aids for their photographic telling of stories and as a plotting device. When Robert Rodriguez decided to film Sin City he shot directly from the books images and dialogue. Why do new story boards the books already existed as such? Rodriguez using few re-writes successfully and faithfully recreated Millers graphic masterpiece into a seminal work. The film was extraordinarily faithful to the original piece; a thing to awe. Miller was along as co-director and even appeared in a cameo.

Frank Miller

The sequel to Sin City is scheduled for released in a few months and it looks to be very good. Miller continues to create as he continues to expand his reputation, to entertain and to thrill!

Sunday, April 6, 2014

The Red Page

“The Red Page”

A crayon in a box
A rag doll’s locks

The traffic light  STOPS!
The balloon that you  Popped!

Superman’s cape
The Orangutan ape

Ketchup in a jar
The Prince Corvette Car

Little warrior ants
Mickey Mouse pants

Something softly said
This page you have


                                                                                  James Jones

Saturday, April 5, 2014

Marc Chagall: The Colorful The Creative The Considerable...

The 20th was the century of the Modernist. The established art world was flipped, turned, reinvented and remodeled in distinctive, brilliant and remarkable ways. Works produced by Picasso (Woman Weeping) and Munch (The Shriek) became symbols of their times and sparked a certain ethos. Dali’s Premonition of Civil War is one of the most disturbing paintings ever put to canvas while yet, strangely beautiful and alluring. It’s depiction of a creature wreathing in pain as it pulls and tears away at itself is fascinating. Fancis Bacon’s Study after Velasquez: Portrait of Pope Innocent X spoke to the fears and hopelessness embraced by many. The original serene baroque vision of a pope as produced by Velasquez became something of a nightmare when re-imagined by the mind and hand of Bacon. The practitioners of modern art; Picasso, Munch, Dali and Bacon addressed the dark dystopia hysteria of their times. But not so much did their peer, Chagall.  

Marc Chagall was a Jewish/Russian born artist that sought freedom from his home country’s oppressive ideology, first in France and later in the United States. In spite of his objections to communism he remained true in spirit to his humble origins and his beliefs. This was within itself a radical thing. He loved his life and his people as he loved the whole of humanity. Chagall works to this day remain colorful, fanciful, unfailingly life affirming and intoxicating. The characters in his robust works; really poetic sagas, float, soar and entertain with joy. Canvas painting, stained glass and murals were all master by Chagall. Romantic love, the circus, village life and “The Crucifixion” were interestingly enough among his favorite subjects. He even and rightly so included Jewish symbols within many of his crucifixion paintings. He remains very much cherished and admired as well as an inspiration to lovers of art, religion and freedom. 

As we look at the world today there are those living in the regions of Chagall’s birth; especially in Ukraine and in Russia that long for the same freedoms of life and creativity sought out by Marc Chagall. Chagall was able to realize his dreams in the West. There are the many that hope, long for and are willing to fight for those same realizations within their home-land. There is no reason that they shouldn’t. Some rights are inalienable but there are those that disagree and fight for the opposite. For those who believe in something better than oppression we give our support in every way we can. The works and life of Chagall are proof of the realization of freedom and the fulfillment of dreams. We celebrate Chagall, those like him and hope for their present and future. We hope for their best and better days.